Waddington, Keith (1998) Pictures and poetry : debunking the bunk : an examination of picturesque influence. Masters thesis, Concordia University.
This thesis examines the history and development of the Picturesque, its definition, theoreticians, and practitioners; and its influence on romanticism. The focus is the correction of pejorative and negative assessments common in modern literary studies which provide a misleading interpretation of both the Picturesque and its influence. The goal is a broader understanding which suggests the necessity of a new evaluation of Wordsworth's "groundbreaking" contribution to literary development. Accordingly, an extensive introductory section examines pre-Picturesque and Picturesque painting, outlining the beginnings of a new and particularly English aesthetic. Also, an exploration of pre-Picturesque poetry and formative Picturesque poetry reveals the literary ramifications of this aesthetic. Finally, Wordsworth and Keats are canvassed within the Picturesque context: Wordsworth to demonstrate the origins and erroneousness of the modern critical bias and the way his poetry was often formulated according to Picturesque principles; Keats to demonstrate the longevity and continuing importance and influence of the Picturesque. Conclusions are conclusive.
|Divisions:||Concordia University > Faculty of Arts and Science > English|
|Item Type:||Thesis (Masters)|
|Pagination:||v, 144 leaves ; 29 cm.|
|Degree Name:||Theses (M.A.)|
|Thesis Supervisor(s):||Brian, Michael|
|Deposited By:||Concordia University Libraries|
|Deposited On:||27 Aug 2009 17:12|
|Last Modified:||04 Nov 2016 17:58|
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