Periodicals:

Bal, Mieke.  “Narrative Inside Out: Louise Bourgeois’ Spider as Theoretical Object.” Oxford Art Journal. Vol. 22, No. 2 (1999): 103-126.

Brown, Bill. “Thing Theory.” Critical Inquiry 28, no. 1 (Autumn 2001): 1-22.

Didi-Huberman, Georges.  “The Index of the Absent Wound: Monograph on a Stain.” translated by Thomas Repensek. MIT Press. October Vol. 29 (Summer, 1984): 63-81.

Fédida, Pierre. “The Relic and the Work of Mourning.” Journal of Visual Culture vol. 2, no.1 (2003): 62-68.

Krauss, Rosalind. “Sculpture in the Expanded Field.” October vol. 8 (Spring 1979): 30-40. 

Pike, Martha. “In Memory Of: Artifacts Relating to Mourning in Nineteenth Century America.” American Journal of Culture vol. 3 no. 4 (Winter 1980): 642–659.

Internet Sources:

Civil War Reenactment HQ. “Reenacting for Beginners.” Web site. http://www.reenactmenthq.com/beginners.asp (accessed June 13, 2011).

CNN Wire Staff. “U.S. Replaces Color-coded Terror Alerts.” CNN Web site. http://edition.cnn.com/2011/TRAVEL/01/27/terror.threats/ (accessed June 12, 2011).

Cramer, Guy and Lt. Col. Timothy R. O’Neill, Ph.D. “The Science of Digital Camouflage Design: Recent digital developments.” Hyper Stealth. Web site. http://www.hyperstealth.com/digital-design/index.htm (accessed June 14, 2011).

Gibbs, Ronald MD. “A Brief History of the Health Support Uses of Silver.” Scientific Information on Colloidal Silver. Web site. http://www.silver-colloids.com/Pubs/history-silver.html (accessed June 24, 2011).

Healing Resources. “Emotional and Psychological Trauma: Causes and Effects, Symptoms and Treatment.” Web site. http://healingresources.info/emotional_trauma_overview.htm#3 (accessed August 11, 2011).

Help Guide. “Healing Emotional and Psychological Trauma.” Web site. http://helpguide.org/mental/emotional_psychological_trauma.htm (accessed August 11, 2011).

Hoptman, Laura. “Introduction to the Exhibition: Floor 2.” Unmonumental: Going to Pieces in the 21st Century. New Museum Web site. Mp3 file (2008). http://www.newmuseum.org/exhibitions/4 (accessed March 2, 2011).

Leleu, Nathalie. “The Model of Vladimir Tatlin’s Monument to the Third International: Reconstruction as an Instrument of Research and States of Knowledge.” Tate Papers, Online Research Journal. Tate Web site. (Autumn 2007). http://www.tate.org.uk/research/tateresearch/tatepapers/07autumn/leleu.htm (accessed June 15, 2011). 

Wikipedia. “JonBenét Ramsey.” Wikipedia Web site. http://en.wikipedia.org/wiki/JonBenét_Ramsey (accessed June 25, 2011).

Books and Other Non-periodical Publications:

Appadurai, Arjun. “Introduction: Commodities and the Politics of Value.” The Social Life of Things, edited by A. Appadurai, 3-63. Cambridge: Cambridge University Press, 1986.

Baer, Ulrich. Spectral Evidence: The Photography of Trauma. Cambridge Massachusetts: MIT Press. 2002.

Barthes, Roland. “The Photographic Message.” Image, Music, Text / Roland Barthes, essays selected and translated by Stephen Heath, 15-31. New York: Hill and Wang, c. 1977.

Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” Illuminations, edited by Hannah Arendt, 217-251. New York: Schocken Books, 1936. 

Blocker, Jane. Seeing Witness: Visuality and the Ethics of Testimony. Minneapolis and London: University of Minnesota Press, 2009.

Bourdieu, Pierre. “The Field of Cultural Production, or: The Economic World Reversed.” The Field of Cultural Production, 30-73. New York: Columbia University Press, 1993. 

Boym, Svetlana. Architecture of the Off-Modern. Temple Hoyne Buell Center for the Study of American Architecture. New York: Princeton Architectural Press, 2008. 

Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.

Burke, Peter. “History of Events and the Revival of Narrative.” New Perspectives on Historical Writing, 2nd edition, edited by Peter Burke, 233-248. Pennsylvania: Pennsylvania State University Press, 2001.

Burton, Johanna and Anne Ellegood. The Uncertainty of Objects and Ideas: Recent Sculpture. Hirshhorn Museum and Sculpture Garden. Washington: Smithsonian Institution, 2007.

Collins, Judith. Sculpture Today. London: Phaidon Press Limited, 2007. 

Dika, Vera. Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia. Cambridge: Cambridge University Press, 2003. 

Dunbar, Elizabeth. Dario Robleto: Alloy of Love, edited by Ian Berry, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College New York, Frye Art Museum Seattle. Washington: University of Washington Press, 2008.

Flood, Richard, Laura J. Hoptman, and Massimiliano Gioni. COLLAGE: The Unmonumental Picture, edited by Lisa Phillips. New Museum. London: Merrell, 2007. Exhibition catalog.

Genette, Gérard. Essays in Aesthetics, translated by Dorrit Cohn. London: University of Nebraska Press, 1999.

Gibbons, Joan. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B. Tauris & Co Ltd, 2007.

Levi, Giovanni. “On Microhistory.” New Perspectives on Historical Writing, 2nd edition, edited by Peter Burke, 97-119. Pennsylvania: Pennsylvania State University Press, 2001.

Massumi, Brian. The Politics of Everyday Fear, edited by Brian Massumi. Minneapolis: University of Minnesota Press, 1993.

Molesworth, Helen. “Duchamp: By Hand, Even.” Part Object Part Sculpture, 178-201. Columbus, Ohio: Wexner Centre for the Arts, The Ohio State University; University Park, Pa.: Pennsylvania State University Press, 2005.

Moure, Gloria. Marcel Duchamp: Works, Writing and Interviews. Barcelona: Ediciones Polígrafa, 2009.

Parkinson, Gavin. The Duchamp Book. London: Tate Publishing, 2008.

Phelan, Peggy. “Haunted Stages: Performance and the Photographic Effect.” Haunted: Contemporary Photography/Video/Performance, edited by Jennifer Blessing and Nat Trotman. New York: The Solomon R. Guggenheim Foundation, 2010.

Saltzman, Lisa and Eric Rosenberg. Trauma and Visuality in Modernity, edited by Lisa Saltzman and Eric Rosenberg. Dartmouth: University Press of New England, 2006.

Schimmel, Paul and Thomas Crow. Robert Rauschenberg: Combines, organized by Paul Schimmel, 1st edition. Los Angeles: Museum of Contemporary Art, Steidl, 2005. Exhibition catalog.

Somzé, Catherine and Johanna Lehan, Carlos and Jason Sanchez: The Moment of Rupture, translated by Nate Lunceford and Claire-Marie Thiry. Montreal: UMA La maison de l’image et de la photographie; Toronto: Christopher Cutts Gallery; Amsterdam: Torch Gallery, 2007. 

Tronzo, William. The Fragment: An Incomplete History, edited by William Tronzo. Getty Research Institute. Los Angeles: Getty Publications, 2009.

Unmonumental: The Object in the 21st Century. New Museum. London, UK: Phaidon Press Limited, 2007. Exhibition catalog.