A puppetry and object-performance experiment that explores extreme forms of durational performance, questioning how these intensive creative undertakings carry the potential to bring an artist as well as audiences outside of their habitual ways of being. Theatre-based artist and educator Jesse Stong searches for dynamic ways to both learn and teach the craft of performance from across mediums. With the focus of utilizing duration as a tool for transformation, he shares reflections from his 200-hour non-stop puppet project, developing performance art pedagogy, exploring queer time and space, and understanding the uncanny art of breathing life into the inanimate world.