Walter J. Ong, Orality and Literacy: The Technologizing of the Word (Routledge, 2002). ↩

Linda Shopes, “Transcribing Oral History in the Digital Age,” in Oral History in the Digital Age, edited by Doug Boyd, Steve Cohen, Brad Rakerd, and Dean Rehberger (Washington, D.C.: Institute of Museum and Library Services, 2012) <http://ohda.matrix.msu.edu/2012/06/transcribing-oral-history-in-the-digital-age/>; 

Dennis Tedlock, The Spoken Word and the Work of Interpretation (University of Pennsylvania Press, 1983).

Raphael Samuel, “Perils of the transcript,” Oral History 1 (1972): 19-22. 

David Antin, talking at the boundaries (New York: W.W. Norton, 1976); Jaap Blonk, Traces of Speech = Sprachsupren (Berlin: Hybriden-Verlag, 2012).

Legs McNeil and Gillian McCain’s Please Kill Me: The Uncensored Oral History of Punk (Grove Press, 2006)

Victoria Stanton and Vince Tinguely’s Impure: Reinventing the Word — The Theory, Practice and Oral History of Spoken Word in Montreal (Conundrum Press, 2001). 

Murray and Wiercinski, “Looking at Archival Sound: Enhancing the Listening Experience in a Spoken Word Archive,” First Monday 17 (2012). 

Jerome McGann, A New Republic of Letters: Memory and Scholarship in the Age of Digital Reproduction (Cambridge, MA: Harvard UP, 2014), 23. 

Charles Bernstein, “Making Audio Visible: The Lessons of Visual Language for the Textualization of Sound,” Text 16 (2006): 287-88. ↩