Abel, Elizabeth and Emily K. Abel (eds.). Signs: A Reader, Chicago: University of Chicago Press, 1983.

Adams, Annmarie. “The Power of Pink: Children's Bedrooms and Gender Identity.” Fkw 50.2010, S. 58-69, 2010.

Affron, Matthew. “Fernand Léger and The Spectacle of Objects.” PhD diss., Yale University, 1994.

Ahrentzen, Sherry. “The Space between the Studs: Feminism and Architecture.” Society Signs: Journal of Women in Culture 29, no. 1 (2003): 179–206. https://doi.org/10.1086/375675.

Albers, Anni. Anni Albers: On Weaving. Middletown, Conn.: Wesleyan University Press, 1965.

Arnaud, Claude, Miren Arzalluz, Belloir Véronique, Laurent Cotta, Julie Deydier, Caroline Evans, Sophie Grossiord eds. Gabrielle Chanel: Fashion Manifesto. New York: Thames & Hudson, 2020.

Asholt, Wolfgang. “Dans l’engrenage d’un engagement : Jean-Richard Bloch et la guerre civile espagnole.” Groupe Études Jean-Richard Bloch (January 5, 2017), https://www.etudes-jean-richard-bloch.org/WOLFGANG-ASHOLT-Dans-l-engrenage-d-un-engagement-Jean-Richard-Bloch-et-la.

Asholt, Wolfgang and Claudine Delphis eds. Jean-Richard Bloch ou à la découverte du monde connu: Jérusalem et Berlin (1925–1928). Paris: Honoré Champion, 2010.

Attfield, Judy, and Pat Kirkham. A View from the Interior: Feminism, Women and Design. London: Women's Press, 1988.

Attfield, Judy. Wild Things: The Material Culture of Everyday Life. London: Bloomsbury Publishing, 2000.

Barsac, Jacques. Charlotte Perriand: L'œuvre Complète. Volume 1, 1903-1940. Paris : Archives Charlotte Perriand et Éditions Norma, 2015.

Barsac, Jacques. Charlotte Perriand: L’oeuvre Complète. Volume 2, 1940-1955. Paris : Archives Charlotte Perriand et Éditions Norma, 2015.

Barsac, Jacques. Charlotte Perriand et la photographie : L’œil en éventail. Paris : 5 Continents Édition, 2019. 

Baudoui, Remi and Arnaud Dercelles. Fernand Léger. Paris : Centre Georges Pompidou, 2017.  
Benton, Charlotte. "From Tubular Steel to Bamboo: Charlotte Perriand, the Migrating "Chaise-longue" and Japan." Journal of Design History 11, no. 1 (1998): 31-58. Accessed October 8, 2020. http://www.jstor.org.lib-ezproxy.concordia.ca/stable/1316162.

Benton, Charlotte. “L'aventure du mobilier: Le Corbusier's Furniture Designs of the 1920s.” The Journal of the Decorative Arts Society 1890-1940, no. 6 (1982): 7-22. Accessed October 8, 2020. http://www.jstor.org.lib-ezproxy.concordia.ca/stable/41806690. 

Benton, Charlotte. "Le Corbusier: Furniture and the Interior." Journal of Design History 3, no. 2/3 (1990): 103-24. Accessed October 8, 2020. 

Birnbaum, Paula. Women Artists in Interwar France: Framing Femininities. Farnham, Surrey, UK, England: Ashgate, 2011.

Bloch, Jean-Richard. Espagne, Espagne! Paris: Éditions Sociales Internationales, 1936. 

Bloch, Jean-Richard. “lettre à sa femme,” BnF, Fonds Jean-Richard Bloch (September 1914), https://archivesetmanuscrits.bnf.fr/ark:/12148/cc4824t/ca59874461925915

Bloch, Jean-Richard. “L'individu contre l'individualisme.” Commune No. 13-14 (September - October 1934): 68-71. 

Bradbury, Dominic, Tim Benton, Mel Buchanan, Anne H Hoy, Margret Kentgens-Craig, Jolanthe Kugler, Rick Poynor, Patrick Seguin, and Laurence Seguin. Essential Modernism: Design between the World Wars. New Haven, Connecticut: Yale University Press, 2018.

Bryant, Levi. “Onticology–A Manifesto for Object-Oriented Ontology, Part 1,” Larval Subjects, January 12, 2010, https://larvalsubjects.wordpress.com/2010/01/12/object-oriented-ontology-a-manifesto-part-i/.

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40, no. 4 (1988): 519–31.

Butler, Judith and Elizabeth Weed eds. The Question of Gender: Joan W. Scott’s Critical Feminism. Bloomington and Indianapolis: Indiana University Press, 2011.

Carranza, Luis E. “Le Corbusier and the Problems of Representation.” Journal of Architectural Education (1984-) 48, no. 2 (1994): 70–81.

Çelik Zeynep. “Le Corbusier, Orientalism, Colonialism.” Assemblage 17, no. 17 (1992): 59–77.

Cixous, Hélène. Le troisième corps. Ed. Antoinette Fouque, Paris: Éditions des Femmes, 1999.

Cixous, Hélène. "The laugh of the Medusa." Feminisms Redux: An Anthology of Literary Theory and Criticism (1975): 416-431.

Cohen, Jean-Louis. “Charlotte Perriand in the Political Arena.” In Charlotte Perriand: Inventing a New World, edited by Jacques Barsac and Sébastien Cherruet with contributions by Pernette Perriand-Barsac, 179-201. Paris: Éditions Gallimard, 2019.

Colomina, Beatriz. “Battle lines: E.1027.” Renaissance and Modern Studies, Vol. 39, No.1, (1996) 95-105. DOI: 10.1080/14735789609366597 

Colomina, Beatriz. “Intimacy and Spectacle: The Interiors of Adolf Loos.” Aa Files 20, no. 20 (1990): 5–15.

Colomina, Beatriz. Manifesto Architecture: The Ghost of Mies. Edited by Nikolaus Hirsch and Markus Miessen. Critical Spatial Practice, 3. Berlin: Sternberg Press, 2014.

Colomina, Beatriz, and Jennifer Bloomer. Sexuality & Space. Princeton Papers on Architecture, 1. New York, N.Y.: Princeton Architectural Press, 1992.

Danchev, Alex. 100 Artists' Manifestos. Penguin Modern Classics. London: Penguin, 2011.

Davies, Gillian. Gender Modernism Interior Design: Sex Class Home. San Bernardino, CA: publisher not identified, 2018.

Deutsche, Rosalyn. “Boys Town.” Environment and Planning D: Society and Space 9, no. 1 (1991): 5-31. https://doi.org/10.1068/d090005.

Deutsche, Rosalyn. Evictions: Art and Spatial Politics. Reprinted in The Blackwell City Reader, Gary Bridge and Sophie Watson, eds. Blackwell Readers in Geography. Malden, MA: Blackwell Pub, 2002: 401-409.

Dorlin, Elsa. Sexe, race, classe: Pour une épistémologie de la domination. Paris: Presses universitaires de France, 2009.

Elliott, Bridget, and Janice Helland. Women Artists and the Decorative Arts, 1880-1935: The Gender of Ornament. Aldershot: Ashgate, 2002.

Ellis, Charlotte and Martin Meade. “Interview with Charlotte Perriand” Architectural Review (November 1984), https://www.architectural-review.com/essays/interview-with-charlotte-perriand.

Fay, Victor. “Le Congrès des écrivains soviétiques a été marqué par un duel entre libéraux et conservateurs,” Le Monde Diplomatique, (July 1967): 1-10, https://www.monde-diplomatique.fr/1967/07/FAY/27911.

Fernandez, Consuelo. “Jean-Richard Bloch, un socialiste dans la guerre, d’après sa correspondance.” Guerres Mondiales et Conflits Contemporains, no. 175 (1994): 123-133.

Figuerola, Carme. “Témoignage, Propagande et Espace Littéraire. L'exemple d'Espagne, Espagne! De Jean-Richard Bloch.” Le Temps Des Médias 14, no. 1 (2010): 73–73. https://doi.org/10.3917/tdm.014.0073. 

Figuerola, Carme. “Le Défi Espagnol: La Guerre de 36 d'après André Malraux et Jean-Richard Bloch.” Présence D'André Malraux, no. 16 (2018): 58-72. http://www.jstor.org.lib-ezproxy.concordia.ca/stable/44947234

Friedan, Betty, Anna Quindlen, and Gail Collins. The Feminine Mystique. 50Th anniversary ed. New York: W.W. Norton & Company, 2013.

Friedman, Alice T. Women and the Making of the Modern House: A Social and Architectural History. New York: Harry N. Abrams, 1998.

Gallagher, M. D. “Leon Blum and the Spanish Civil War.” Journal of Contemporary History, vol. 6, no. 3 (1971): 56-64.

Gibson, James J. The Ecological Approach to Visual Perception (version Classic edition). Psychology Press Classic Editions. New York: Psychology Press, 2015.

Godfrain, Marie. “Dans l’atelier de Charlotte Perriand.” Le Monde, October 9, 2019.

Gorilovics, Tivadar. “Jean-Richard Bloch et Ce Soir.” Revue d’Études Françaises de Budapest, N° 2 (1997) : 321-330. 

Green, Christopher. Art in France, 1900 to 1940. The Pelican History of Art. New Haven: Yale University Press, 2000.

Gronberg, Tag. “Decoration: Modernism’s ‘Other’.” Art History vol. 15, no. 4 (December 1992): 547-552.

Grosz, Elizabeth. Architecture from the Outside: Essays on Virtual and Real Space. Writing Architecture Series. Cambridge, Mass.: MIT Press, 2001.

Hackney, Fiona. “The Parlour and the Suburb: Domestic Identities, Class, Femininity and Modernity.” Journal of Design History 19, no. 3 (2006): 266–68.

Harman, Graham. Tool Being: Heidegger and the Metaphysics of Objects. Chicago: Open Court Publishing, 2002.

Hayden, Dolores, and Gwendolyn Wright. “Architecture and Urban Planning.” Signs 1, no. 4 (1976): 923–33.

Humeau, Edmond. “La Querelle du réalisme.” Esprit, Vol. 5, No. 52 (1937): 669-671, http://www.jstor.org/stable/45111807.

Huppatz, D. J. "Jean Prouvé's Maison Tropicale: The Poetics of the Colonial Object." Design Issues 26, no. 4 (2010): 32-44. Accessed October 8, 2020.

Irigaray, Luce. Éthique de la différence sexuelle. Paris: Les Éditions de Minuit: Collection Critique, 1984.

Irigaray, Luce. Sexes et genres à travers les langues. Paris : Éditions Grasset & Fasquelle, 1990.

Irigaray, Luce. This Sex which is not One. New York: Cornell University Press, 1985.

Irigaray, Luce. “Woman Exile,” Ideology and Consciousness, volume 1 (May 1977). 

Kirkham, Pat ed. The Gendered Object. Manchester, UK: Manchester University Press, 1996.

Kon, Wajiro, and Izumi Kuroishi. "Selected Writings on Design and Modernology, 1924-47." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 22, no. 2 (2015): 190-216. Accessed October 8, 2020. 

Laufer, Laurie and Florence Rochefort. Qu’est-ce que le genre? Paris: Petite Bibliothèque Payot, 2014. 

Le Corbusier. The Decorative Art of Today. London: Architectural Press, 1987.

Love, Heather. Feeling Backward: Loss and the Politics of Queer History. Cambridge, MA: Harvard University Press, 2007.

Löschke, Sandra Karina ed. Materiality and Architecture. Oxon: Routledge, 2016.

McLeod, Mary. “Charlotte Perriand: Her First Decade As a Designer.” Aa Files 15, no. 15 (1987): 3–13.

McLeod, Mary. “Domestic Reform and European Modern Architecture: Charlotte Perriand, Grete Lihotzky and Elizabeth Denby.” In Modern Women: Women Artists at the Museum of Modern Art, edited by Cornelia Butler and Alexandra Schwartz. New York: The Museum of Modern Art, 2010.

Mary McLeod, “Perriand: Reflections on Feminism and Modern Architecture,” Harvard Design Magazine, No. 20 (2004), http://www.harvarddesignmagazine.org/issues/20/perriand-reflections-on-feminism-and-modern-architecture.

Martin, Russell, and Pablo Picasso. Picasso's War: The Destruction of Guernica and the Masterpiece That Changed the World. New York: Dutton, 2002.

Martinez, Katharine, Kenneth L. Ames, Henry Francis du Pont Winterthur Museum, and Winterthur Conference. The Material Culture of Gender, the Gender of Material Culture. 1st ed. Winterthur Book. Winterthur, Del.: Henry Francis du Pont Winterthur Museum, 1997. 

Mazuy, Rachel. “Jean-Richard Bloch et le PCF.” Groupe d’Études Jean-Richard Bloch (July 25, 2019), https://www.etudes-jean-richard-bloch.org/Jean-Richard-Bloch-et-le-PCF.

Mazuy, Rachel. “Réflexions sur une date d’adhésion – Jean-Richard Bloch et le PCF (1937-1939).” CTURSS.hypotheses.org (June 15, 2019), https://cturss.hypotheses.org/2386.

McLeod, Mary. “Charlotte Perriand: Her First Decade as a Designer.” AA Files, no. 15 (1987): 3-13. Accessed October 8, 2020. http://www.jstor.org.lib-ezproxy.concordia.ca/stable/29543583. 

Millett, Kate. Sexual Politics. Garden City. New York: Doubleday, 1970. 

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16, no. 3 (1975): 6–18. https://doi.org/10.1093/screen/16.3.6.

Mumford, Eric Paul. The CIAM Discourse on Urbanism, 1928-1960. Boston: MIT Press, 2002. 

Perriand, Charlotte. “Metal or Wood?” The Studio, volume 97 No. 433 (April 1929): 278-279.

Perriand, Charlotte. Une vie de création. Paris: Odile Jacob, 1998. 

Picon, Antoine. “Beyond Digital Avant-Gardes: The Materiality of Architecture and Its Impact.” Architectural Design, Vol. 90, issue 5, (2020): 118-125.

Picon, Antoine. The Materiality of Architecture. Minneapolis: University of Minnesota Press, 2021.

Pollock, Griselda. Differencing the Canon: Feminist Desire and the Writing of Art's Histories. Re Visions. London: Routledge, 1999.

Pollock, Griselda, and Routledge (Firm). Vision and Difference: Femininity, Feminism, and Histories of Art. London and New York: Routledge, 1988.

Potvin, John, and Marchand Marie-Ève, eds. Design and Agency: Critical Perspectives on Identities, Histories, and Practices. London: Bloomsbury Publishing USA, 2020. 

Potvin, John. The Places and Spaces of Fashion, 1800-2007. Routledge Research in Cultural and Media Studies, 16. New York, NY: Routledge, 2009.

Rambosson, Yvanhoé. “Les arts appliqués.” Comoœdia (November 1927): 21.

Rault, Jasmine. Eileen Gray and the Design of Sapphic Modernity: Staying In. Farnham, Surrey: Ashgate, 2011.

Reiter, Rayna R. Toward an Anthropology of Women. New York: Monthly Review Press, 1975.

Rendell, Jane, Barbara Penner, and Iain Borden. Gender Space Architecture: An Interdisciplinary Introduction. Architext Series. London: Routledge, 2000.

Rhodes, Jacqueline. Radical Feminism, Writing, and Critical Agency: From Manifesto to Modem. Suny Series in Feminist Criticism and Theory. Albany: State University of New York Press, 2005.

Riggins, Steven. The Socialness of Things: Essays on the Socio-semiotics of the Object. Moulton de Gruyter. 1984. 

Riou, Gwenn. “De la théorie à la pratique: Le manifeste des écrivains et artistes révolutionnaires, 1932.” 20181001 (2018) https://doi.org/10.4000/itineraires.4212.

Robin, Régine. “Les difficultés d'une identité juive soviétique: Le premier congrès des écrivains soviétiques de 1934.” Cahiers du Monde Russe et Soviétique 26, no. 2 (1985): 243-254.

Rothschild, Joan, and Alethea Cheng. Design and Feminism: Re-Visioning Spaces, Places, and Everyday Things. New Brunswick, N.J.: Rutgers University Press, 1999.à

Sanders, Joel. “Curtain Wars.” Harvard Design Magazine, no. 16 (Winter/Spring 2002): 14-20.

Spain, Daphne. How Women Saved the City. Minneapolis: University of Minnesota Press, 2001.

Sparke, Penny. The Modern Interior. London: Reaktion, 2008.

Sparke, Penny. As Long as It's Pink: The Sexual Politics of Taste. 2010th ed. Halifax, N.S.: Press of the Nova Scotia College of Art and Design, 2010.

Stathopoulos, Angelica. “Always-Already Feminine –Thinking Alternative Creations of Feminine Subjectivities with Luce Irigaray.” Feral Feminisms Feminine Feelers issue 3 (winter 2015): 70-89.

Stevenson, Jane. Baroque between the Wars: Alternative Style in the Arts, 1918-1939. Oxford: Oxford University Press. 2018.

Tickner, Lisa. The Spectacle of Women: Imagery of the Suffrage Campaign, 1907-14. Chicago: University of Chicago Press, 1988.

Udovicki-Selb, Danilo. “Le Corbusier and the Paris Exhibition of 1937: The Temps Nouveaux Pavilion.” Journal of the Society of Architectural Historians Volume 56, no. 1 (1997): 42–63.

Weisman, Leslie. Discrimination by Design: A Feminist Critique of the Man-Made Environment. Urbana: University of Illinois Press, 1992.

Wright, Gwendolyn. “Sweet and Clean: The Domestic Landscape in the Progressive Era.” Landscape 10 (October 1975): 38-43.

Wright, Gwendolyn. “On the Fringe of the Profession: Women in American Architecture.” In The Architect: Historical Essays on the Profession. Ed. Spiro Kostof. New York: Oxford University Press, 1977: 280-308.