Neurodiversity is the mode of composing. The infinite diversity in diversity, of the field of
relation making itself felt in its becoming.

This thesis is this composing.

Relationality is the dance itself of all that is compelled to move in a mode of composing
worldings/bodyings. Movement is the force, the ever transitioning/thresholding (of shapes/forms,
etc.), the excess, as well as the arena of qualities continuously arriving to their singularity.
Simultaneously, both the voicing and the harmony in the atonal dance of relation in emergence.

Composition as ecology.

Relationality, not between located fixed objects, but rather the field of relation at the interstices
themselves, of becoming and abecoming (without becoming). The excess makes a difference in
the architecting of the spaces and silences by which movement is informed. Forces emerge, and
through the singular moving qualities, matter is weathered into shapings and formations that
reciprocally shape space and silence—forever a transitioning from the middle. Qualities express
at the interstices of the edging of emergence. Singular qualities event, pulsing frivolously
throughout the continuum of the multiplicity of potential.

How to read this thesis? This thesis invites you to cut the words into fragments, throw them to
the wind and enter the dance of relation in a co-composition.