adventuretimeanalyzed. “Gender Bending in Adventure Time.” a deeper look, 12 May 2013, 1:09 AM, https://adventuretimeanalyzed.tumblr.com/post/50228109847/gender-bending-in-advent ure-time. Andrew, Dudley. What Cinema Is!: Bazin's Quest and Its Charge. Wiley-Blackwell, 2010. Attebery, Brian. “Beyond Captian Nemo: Disney’s Science FIction.” From Mouse to Mermaid: The Politics of Film, Gender, and Culture, edited by Elizabeth, Bell, et al., Indiana UP, 1995. Bazin, André. what is cinema? edited and translated by Hugh Gray, U of California P, 2005. Blair, Preston. Cartoon Animation with Preston Blair, Revised Edition! Walter Foster, 2020, O'Reilly Online Learning: Academic/Public Library Edition, https://www.oreilly.com/library/view/cartoon-animation-with/9781633228917/. Buchan, Suzanne, “Introduction.” Pervasive Animation, edited by Suzanne Buchan, Routledge, 2013. Butler, Judith. Bodies That Matter. Routledge, 2015. —. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 2006. —. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal, vol. 40, no. 4, Dec. 1988, pp. 519–31. JSTOR, https://doi.org/10.2307/3207893. “Cars as Characters.” Cars, Pixar Animation Studios, 2006, www.pixar.com/feature-films/cars. Cooley, Kevin. “Drawing Queerness Forward: Fusion, Futurity, and Steven Universe.” Representation in Steven Universe, edited by John R. Ziegler and Leah Richards, Palgrave Macmillan, 2020, pp. 45-67. Cooley, Kevin, Edmond “Edo” Ernest dit Alban, and Jaqueline Ristola, “Introduction.” Animating LGBTQ+ Representations: Queering the Production of Movement, special issue of Synoptique: An Online Journal of Film and Moving Image Studies, vol. 9, no. 1, 2020, pp. 1-7. Crafton, Donald. Shadow of a Mouse: Performance, Belief, and World-Making in Animation. U of California P, 2013. Daniels, Zoe. “Queer Dimensions and The Gender-Fluid Fantasy of Adventure Time.” cléo, vol. 3, no. 1, Summer 2019, https://cleojournal.com/2015/04/20/queer-dimensions-and-the-gender-fluid-fantasy-of-ad venture-time/. Dowell, Kristin L. “DIGITAL SUTURES: Experimental Stop-Motion Animation As Future Horizon of Indigenous Cinema.” Cultural Anthropology, vol. 33, no. 2, 2018, pp. 189–201, https://doi.org/10.14506/ca33.2.03. Feinberg, Leslie. Transgender Liberation: A Movement Whose Time Has Come. World View Forum, 1992. “Gender Roles in Adventure Time.” AMS Sexual Assault Support Center, 6 Jun. 2014, https://www.amssasc.ca/blog/gender-roles-in-adventure-time/. Gunning, Tom. “Animating the Instant: The Secret Symmetry between Animation and Photography.” Animating Film Theory, edited by Karen Redrobe, Duke UP, 2014, pp. 37-53. Halberstam, J. Jack. In a Queer Time and Place: Transgender Bodies, Subcultural Lives, New York UP, 2005. https://nyupress.org/9780814735855/in-a-queer-time-and-place/. Jane, Emma A. “‘Gunter's a Woman?!’- Doing and Undoing Gender in Cartoon Network’s Adventure Time.” Journal of Children and Media, vol. 9, no. 2, 2015, pp. 231–247, https://doi.org/10.1080/17482798.2015.1024002. Keegan, Cáel M. “Against Queer Theory.” Transgender Studies Quarterly, vol. 7, no. 3, 2020, pp. 349–353, https://doi.org/10.1215/23289252-8552978. —. “Getting Disciplined: A Conversation with Cáel Keegan.” Feminist Media Studio Seminar, 14 Oct. 2022, CJ Building, Concordia University, Montreal, QB, Canada. —. “Getting Disciplined: What's Trans* About Queer Studies Now?” Journal of Homosexuality, vol. 67, no. 3, 2020, pp. 384–397, https://doi.org/10.1080/00918369.2018.1530885. —. Lana and Lilly Wachowski. 1 ed. U of Illinois P, 2018. Project MUSE muse.jhu.edu/book/62900. —. “On the Necessity of Bad Trans Objects.” Film Quarterly, vol. 75, no. 3, 2022, pp. 26–37, https://doi.org/10.1525/fq.2022.75.3.26. —. “Revisitation: A Trans Phenomenology of the Media Image.” MedieKultur: Journal of Media and Communication Research, vol. 32, no. 61, Dec. 2016, https://doi.org/10.7146/mediekultur.v32i61.22414. —. “Transgender Studies, or how to do things with Trans*.” The Cambridge Companion to Queer Studies, edited by Siobhan Somerville, Cambridge UP, 2020, pp. 66–78, https://doi.org/10.1017/9781108699396.006. Lamarre, Thomas. The Anime Machine: A Media Theory of Animation. U of Minnesota P, 2009. Leslie, Carolyn. “Adventure Time and gender stereotypes.” Screen Education, no. 78, July 2015, pp. 44+. Gale Academic OneFile, link.gale.com/apps/doc/A440821085/AONE?u=googlescholar&sid=sitemap&xid=d45404 7a. Leslie, Esther, “Animation’s Petrified Unrest,” Pervasive Animation, edited by Suzanne Buchan, Routledge, 2013. Limbach, Gwendolyn. “‘You the Man, Well, Sorta’: Gender Binaries and Liminality in Mulan.” Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability, edited by Johnson Cheu, McFarland, 2013, pp.115-128. Manovich, Lev. The Language of New Media. MIT P, 2001. Monteil, Abby. “Elemental Features Pixar’s First Nonbinary Character, a Lake Who Wears Earrings.” them, 20 Jun 2023, https://www.them.us/story/elemental-disney-pixar-nonbinary-character-lake-ripple. Ngai, Sianne. Ugly Feelings. Harvard UP, 2005. Pitre, Jake. “Queer Transformation, Contested Authorship, and Fluid Fandom.” Representation in Steven Universe, edited by John R. Ziegler and Leah Richards, Palgrave Macmillan, 2020, pp. 19-44. Putnam, Amanda. “Mean Ladies: Transgendered Villains in Disney Films.” Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability, edited by Johnson Cheu, McFarland, 2013, pp. 147-162. Redrobe, Karen. “The Worries of the World(s).” World Building: Transmedia, Fans, Industries, edited by Marta Boni, Amsterdam UP, 2017, pp. 253-71, https://doi.org/10.1515/9789048525317-015. Ristola, Jacqueline. “Globalizing Fandoms: Envisioning Queer Futures from Kunihiko Ikuhara to Rebecca Sugar.” Representation in Steven Universe, edited by John R. Ziegler and Leah Richards, Palgrave Macmillan, 2020, pp. 89-112. Rosenbaum, Richard. “Adventure Time: What Time Is It? Gender Time!” Overthinking It, 12 June 2015, www.overthinkingit.com/2013/01/18/adventure-time-gender/. “Simple Shapes,” Up!, Pixar Animation Studios, 2009, https://www.pixar.com/feature-films/up. Steinberg, Marc. “Realism in the Animation Media Environment: Animation Theory from Japan.” Animating Film Theory, edited by Karen Redrobe, Duke UP, 2014, pp. 287-300. Stone, Sandy. “The Empire Strikes Back: A Posttranssexual Manifesto.” Jan.1994 electronic version, Trans Reads, 2023 https://transreads.org/wp-content/uploads/2021/12/2021-12-24_61c5e328db109_sandys tone_trans-manifesto.pdf. Stryker, Susan. “(De)Subjugated Knowledges: An Introduction to Transgender Studies.” The Transgender Studies Reader, edited by Susan Stryker and Stephen Whittle. Routledge, 2006. —. “My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage.” GLQ: A Journal of Lesbian and Gay Studies, vol. 1, no. 3, June 1994, pp. 237–254, https://doi.org/10.1215/10642684-1-3-237. —. Transgender History. Seal, 2006. —. “Transgender Studies: Queer Theory's Evil Twin.” GLQ: A Journal of Lesbian and Gay Studies, vol. 10 no. 2, 2004, p. 212-215. Project MUSE muse.jhu.edu/article/54599. —. “Transsexuality: The Postmodern Body And/As Technology” in The Cybercultures Reader, ed. by David Bell and Barbara M. Kennedy, Routledge, 2000, pp. 588-97. Stryker, Susan, and Paisley Currah. “Introduction.” TSQ: Transgender Studies Quarterly, vol. 1, no. 1–2, 2014, pp. 1–18, https://doi.org/10.1215/23289252-2398540. Sweeney, Gael. “‘What Do You Want Me to Do? Dress in Drag and Do the Hula?’: Timon and Pumbaa’s Alternative Lifestyle Dilemma in The Lion King.” Diversity in Disney Films: Critical Essays on Race, Ethnicity, Gender, Sexuality and Disability, edited by Johnson Cheu, McFarland, 2013, pp. 129-146. Thomas, Frank, and Ollie Johnston. Disney Animation: The Illusion of Life. 1st ed., Abbeville P, 1981. Tompkins, Avery. “Asterisk.” TSQ: Transgender Studies Quarterly, vol. 1, no. 1–2, 2014, pp. 26–27, https://doi.org/10.1215/23289252-2399497. Victor, Daniel. “How M&M’s Found Itself in the Culture Wars.” The New York Times, 24 Jan. 2023, https://www.nytimes.com/2023/01/23/business/m-m-candy-controversy-tucker-carlson.ht ml. "WALL•E and EVE | WALL•E | Disney•Pixar." YouTube, uploaded by Pixar, 19 Oct. 2016, https://www.youtube.com/watch?v=pFmHuBCp0Sw. Walsh, Savannah. “Beauty and the Beast ‘Didn’t Go Far Enough’ With Gay LeFou, Says Josh Gad.” Vanity Fair, 1 Mar. 2022. https://www.vanityfair.com/hollywood/2022/03/josh-gad-on-beauty-and-the-beast-gay-lef ou. Wells, Paul. Understanding Animation. Routledge, 1998. White, Tony. Animation from Pencils to Pixels: Classical Techniques for Digital Animators. E-book, Elsevier, 2012. O'Reilly Online Learning: Academic/Public Library Edition, https://www.oreilly.com/library/view/animation-from-pencils/9780240806709/. Williams, Richard. The Animator's Survival Kit. Faber and Faber, 2001. Yang, Panpan. “Rotoscoping Body: Secret Dancers, Animated Realism and Temporal Critique.” The Spectator, vo. 36, no. 1, 2016, pp. 33-42.