Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Durham: Duke University Press, 2006. Ahmed, Sara. The Cultural Politics of Emotion. UK: Edinburgh University Press, 2015. Betterton, Rosemary. An Intimate Distance: Women, Artists, and the Body. London: Routledge.1996. Bryan-Wilson, Julia. Fray: Art and Textile Politics. Chicago: University of Chicago Press, 2017. Cavallaro, Dani, and Alexandra Warwick. Fashioning the Frame: Boundaries, Dress, and the Body. Oxford, UK and New York: Berg, 1998. Corbin, Megan, and Daniela Johannes. “Activating Affect Aura Through Art.” Angelaki 27, no. 2 (2022): 44-56. “Corsets, Crinolines and Bustles: Fashionable Victorian Underwear.” The Victoria & Albert Museum. Accessed May 20, 2024. https://www.vam.ac.uk/articles/corsets-crinolines-and-bustles-fashionable-victorian-underwear. David, Alison Matthew. Fashion Victims: The Dangers of Dress Past and Present. New York: Bloomsbury Publishing, 2015. Diamond, Elin. Performance and Cultural Politics. London: Routledge, 1996. Doyle, Jennifer. Hold It Against Me: Difficulty and Emotion in Contemporary Art. Durham and London: Duke University Press, 2013. Ehrenreich, Barbara and Jane O'Reilly. “Setting Free The Frou Frou.” Washington Post. March 8, 1987. https://www.washingtonpost.com/archive/lifestyle/magazine/1987/03/08/setting-free-the- froufrou/23b0356d-8878-4118-8b44-dd63458d72c1/ Entwistle, Joanne. “Fashion and the Fleshy Body: Dress as Embodied Practice.” Fashion Theory 4, no. 3 (2000): 323-347. Ferguson, Bruce. Works by Jana Sterbak. New York: The New Museum of Contemporary Art, 1990. Grant, Catherine. A Time of One's Own: Histories of Feminism in Contemporary Art. Duke University Press. 2022. Halperin, David. Saint Foucault: Towards a Gay Hagiography. New York and Oxford: Oxford University Press, 1995. Hunt, Carole. “Worn Clothes and Textiles as Archives of Memory.” Critical Studies in Fashion & Beauty 5, no. 2 (2014): 207-232. Jackson, Marni. “The Body Electric.” Canadian Art. (Spring 1989): 65-70. “Jana Sterbak.” Art History Concordia. Accessed May 20, 2024. https://art-history.concordia.ca/eea/artists/sterbak.html “Jana Sterbak.” Centre Vox. Accessed May 20, 2024. https://centrevox.ca/en/artists-and-researchers/jana-sterbak Jim, Alice Ming Wai. “Fashioning Race, Gender, and Desire: Cheryl Sim’s Fitting Room and Mary Sui Yee Wong’s Yellow Apparel.” In Desiring Change: Contemporary Feminist Art in Canada, edited by Heather Davis, 76-95. Montreal: McGill-Queen’s University Press, 2017. Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998. “Kara Walker: Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On).” Guggenheim. Accessed May 20, 2024. https://www.guggenheim.org/artwork/9367. Kinchin, Juliet. “Interiors: nineteenth-century essays on the ‘masculine’ and the ‘feminine’ room.” In The Gendered Object, edited by Pat Kirkham, 12-29. Manchester and New York: Manchester University Press, 1996. Kunimoto, Namiko. The Stakes of Exposure: Anxious Bodies in Postwar Japanese Art. Minneapolis: University of Minnesota Press, 2017. Kunimoto, Namiko. “Tanaka Atsuko's Electric Dress and the Circuits of Subjectivity.” The Art Bulletin 95, no. 3 (September 2013): 465-483. Marakis, Skye. “This Difficult-to-Wear Skirt Helped Break Down Class Barriers.” Racked. December 7, 2017. https://www.racked.com/2017/12/7/16717206/cage-crinoline-feminism-class. Mastai, Judith. “The Anorexic Body: Contemporary Installation Art by Women Artists in Canada.” In Generations & Geographies in the Visual Arts: Feminist Readings, edited by Griselda Pollock, 135-148. London and New York: Routledge, 1996. McLerran, Jennifer. “Disciplined Subjects and Docile Bodies in the Work of Contemporary Artist Jana Sterbak.” Feminist Studies 24, no. 3 (1998): 535–52. McTavish, Lianne. “Body Narratives in Canada, 1968-99: Sarah Maloney, Catherine Heard, and Kathleen Sellars.” Women's Art Journal 21, no. 2 (2000): 2-11. Merleau-Ponty, Maurice. The Primacy of Perception. USA: Northwestern University Press,1976. Murray, Irena Žantovská. “Domesticity and Diremption: Poetics of Space in the Work of Jana Sterbak.” In Chora 3: Intervals in the Philosophy of Architecture, edited by Alberto Pérez-Gómez and Stephen Parcell, 281-302. Montreal: McGill-Queen's University Press, 1999. Nembhard, Candice. “Jana Sterbak and the Possibilities and Restrictions of Movement.” Sleek Magazine. June 20, 2017. https://www.sleek-mag.com/article/jana-sterbak. Osgerby, Bill. “The Bachelor Pad as Cultural Icon: Masculinity, Consumption and Interior Design in American Men’s Magazines, 1930-65.” Journal of Design History 18, no. 1 (Spring 2005): 99-113. Page, Clement. “Jana Sterbak ‘I Want You to Feel the Way I Do.’” Third Text 10, no. 35 (1996): 59–68. Pollock, Griselda. Generations & Geographies in the Visual Arts: Feminist Readings. London and New York, Routledge, 1996. Potvin, John. “Destabilizing the Scenario of Design: Queer/Trans/Gender-Neutral.” In A Companion to Contemporary Design since 1945, edited by Anne Massey, 326-350. Hoboken, NJ: John Wiley & Sons, 2019. “Projecting Fictions: ‘Insurrection! Our Tools Were Rudimentary, Yet We Pressed On,’” Art21, 2011. https://art21.org/read/kara-walker-projecting-fictions-insurrection-our-tools-were-rudime ntary-yet-we-pressed-on. Quinn, Bradley. The Fashion of Architecture. New York and Oxford: Berg, 2003. Roberts, Helene E. “The Exquisite Slave: The Role of Clothes in the Making of the Victorian Woman.” Signs 2, no. 3 (1977): 554-69. Ross, Christine. “The Paradoxical Bodies of Contemporary Art.” In A Companion to Contemporary Art Since 1945, edited by Amelia Jones, 378-400. Hoboken, NJ: Wiley, 2006. Ross, Robert. Clothing: A Global History. Cambridge, UK: Polity Press, 2008. Russo, Mary. The Female Grotesque: Risk, Excess and Modernity. New York and London (UK): Routledge, 1994. Sedgwick, Eve Kosofsky. Tendencies. Durham, NC: Duke University Press, 1993. Silver, Erin, and Amelia Jones. Otherwise: Imagining Queer Feminist Art Histories. Manchester University Press, 2016. Singh, Balbir. “Fashion as Armor.” The Fashion and Race Database, 2021. https://fashionandrace.org/database/fashion-as-armor. Skelly, Julia. Addiction and British Visual Culture, 1751- 1919: Wasted Looks. Surrey, UK; Burlington, VT: Ashgate Publishing, 2014. Skelly, Julia. Radical Decadence: Excess in Contemporary Feminist Textiles and Craft. London and New York: Bloomsbury Academic, 2017. Skelly, Julia. Skin Crafts: Affect, Violence and Materiality in Global Contemporary Art. London and New York: Bloomsbury Publishing, 2022. Spector, Nancy. “Flesh and Bones.” Artforum 30, no. 7 (March 1992), N.P. https://www.artforum.com/features/flesh-and-bones-jana-sterback-203615. Sterbak, Jana and Amanda Cruz. Jana Sterbak: Museum of Contemporary Art, Chicago, (October 10, 1998, Through January 3, 1999), edited by Amanda Cruz. Chicago: Museum of Contemporary Art, 1998. Sterbak, Jana and Diana Nemiroff. States of Being: Corps À Corps. Ottawa: National Gallery of Canada, 1991. Sterbak, Jana. “Projects 38: Jana Sterbák : the Museum of Modern Art, New York, November 20, 1992-January 5, 1993.” New York: The Museum of Modern Art, 1992. Thieme, Otto Charles. “The Art of Dress in the Victorian and Edwardian Eras.” The Journal of Decorative and Propaganda Arts,10, (1988): 14–27. Tiampo, Ming, Atsuko Tanaka, and Mizuho Kata. Electrifying Art: Atsuko Tanaka, 1954 - 1968. Vancouver: Morris & Ellen Belkin Gallery, 2004. Thomas, Selin. “Kara Walker’s Nightmares Are Our Own.” The Paris Review, 2017. https://www.theparisreview.org/blog/2017/10/04/kara-walkers-nightmares. Turner, Terence. “The Social Skin,” HAU: Journal of Ethnographic Theory. 2:2 (2012): 486–504. “Understanding Underwear: The Victorian Crinoline.” European Fashion Heritage Association. February 14, 2020. https://fashionheritage.eu/understanding-underwear-the-crinoline/#:~:text=Originally%20 the%20crinoline%2C%20a%20stiff,illusion%20of%20a%20tiny%20waist Wallace, Megan. “Capturing Style as Resistance for Non-Binary People.” The Face, 2023. https://theface.com/style/saskavians-spring-capturing-style-as-resistance-for-non-binary-people. Wallenberg, Louise. “Fashion and Feminism.” In The Routledge History of Fashion and Dress, 1800 to the Present. Edited by Veronique Pouillard and Vincent Dubé-Senécal, 185-206. New York: Routledge, 2023. Weber, Sandra, and Claudia Mitchell. “Dress Stories.” Counterpoints 220 (2014): 3-9. Wilson, Elizabeth. Adorned in Dreams: Fashion and Modernity. London: Virago, 1985. Young, Iris Marion. “Women Recovering Our Clothes. ” In On Fashion, edited by Shari Bemstock and Suzanne Ferris, 197-210. New Brunswick, NJ: Rutgers University Press, 1994.