Login | Register

Waking the Feminists: Re-imagining the Space of the National Theatre in the Era of the Celtic Phoenix

Title:

Waking the Feminists: Re-imagining the Space of the National Theatre in the Era of the Celtic Phoenix

O'Toole, Emer (2017) Waking the Feminists: Re-imagining the Space of the National Theatre in the Era of the Celtic Phoenix. Literature, Interpretation, Theory, 28 (2). pp. 134-152.

[img]
Preview
Text (Un-proofed Final Draft) (application/pdf)
GLIT_A_1315549.pdf - Accepted Version
Available under License Spectrum Terms of Access.
1MB

Official URL: http://dx.doi.org/10.1080/10436928.2017.1315549


Divisions:Concordia University > Faculty of Arts and Science > School of Canadian Irish Studies
Item Type:Article
Refereed:Yes
Authors:O'Toole, Emer
Journal or Publication:Literature, Interpretation, Theory
Date:2017
Digital Object Identifier (DOI):10.1080/10436928.2017.1315549
ID Code:982590
Deposited By: EMER O'TOOLE
Deposited On:05 Jun 2017 13:15
Last Modified:01 Dec 2018 01:01

References:

Abramowitz, Alan, and Ruy Teixeira. “The Decline of the White Working Class and the Rise of a Mass Upper‐Middle Class.” Political Science Quarterly 124.3 (2009): 391–422. Print.

Barrett, Michele, and Mary McIntosh. “Christine Delphy: Towards a materialist feminism?” Feminist Review 1 (1979): 95–106. Print.

Barry, Ursula. “Policy on Gender Equality in Ireland Update 2015.” Policy Department C: Citizen’s Rights and Constitutional Affairs. Brussels: European Parliament. Sept. 2015. Print.

Barry, Ursula, and Pauline Conroy. “Ireland in Crisis 2008-2012: Women, Austerity and Inequality.” Women and Austerity: the economic crisis and the future for gender equality. Ed. Maria Karamessini and Jill Rubery. Oxon; New York: Routledge, 2013. 186–206. Print.

Bernstein, Mary. “Identity Politics.” Annual Review of Sociology 31 (2005): 47–74. Print.

Boal, Augusto. Theatre of the Oppressed. 1979. London: Pluto Books, 2008. Print.

Butler, Judith. “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory.” Theatre Journal 40.4 (1988): 519–31. Print.

Cochrane, Kira. All the Rebel Women: The Rise Of The Fourth Wave Of Feminism. Vol. 8. London: Guardian Books, 2013. Print.

Crenshaw, Kimberlé. “Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color.” Stanford Law Review 43.6 (1991): 1241–99. Print.

Cullen Owens, Rosemary. A Social History of Women in Ireland, 1870–1970: An Exploration of the Changing Role and Status of Women in Irish Society. London: Gill & Macmillan, 2005. Print.

Davies, Helen, and Claire O’Callaghan. “All In This Together? Feminisms, Academia, Austerity.” Journal of Gender Studies 23.3 (2014): 227–32. Print.

Deane, Lughan and Patricia O’Mahoney. “Diversity Audit of Irish Front Pages.” IMPACT. Impact.ie. Sept 30 2016. Web. Accessed Jan 10 2017.

Delphy, Christine. “A Materialist Feminism Is Possible.” Trans. Diana Leonard Feminist Review 4 (1980): 79–105. Print.

Evans, Sara Margaret. Personal Politics: The Roots Of Women’s Liberation In The Civil Rights Movement And The New Left. London: Vintage, 1979. Print.

Fraser, Nancy. “Feminism, Capitalism, and the Cunning of History.” New Left Review 56 (2009): 97–117. Print.

Faludi, Susan. Backlash: The Undeclared War Against American Women. New York: Broadway Books, 2009. Print.

Haughton, Miriam. “From Laundries to Labour Camps: Staging Ireland’s ‘Rule of Silence’ in ANU Productions’ Laundry.” Modern Drama 57.1 (2014): 65–93. Print.

Kershaw, Baz. The Radical In Performance: Between Brecht and Baudrillard. London: Routledge, 1999. Print.

Lefebvre, Henri. “The Production of Space.” The People, Place, and Space Reader. Ed. Gieseking, Jen Jack, et al. New York: Routledge, 2014. Print.

Liddy, Susan. “Open To All And Everybody”? The Irish Film Board: Accounting For The Scarcity Of Women Screenwriters.” Feminist Media Studies 16.5 (2016): 901–17. Print.

Lonergan, Patrick. “More Thoughts (and stats) on Women Writers at the Abbey.” Patricklonergan.wordpress.com. Jan 22 2014. Web. Accessed Jan 10 2017.

———. Theatre and Globalization: Irish Drama in the Celtic Tiger Era. London: Palgrave Macmillan, 2009. Print.

Mac Conghail, Fiach. “Personal Tweet.” Twitter.com. 29 Oct 2015. Web. Accessed 10 Jan 2016.

Maiguashca, Bice, Jonathan Dean, and Dan Keith. “Pulling together in a crisis? Anarchism, feminism and the limits of left-wing convergence in austerity Britain.” Capital & Class 40.1 (2016): 37–57. Print.

Martin, Jennifer L. “Ten Simple Rules To Achieve Conference Speaker Gender Balance.” PLOS Computational Biology 10.11 (2014): 1–3. Print.

Massey, Doreen. “Politics and Space/Time.” New Left Review 196 (1992): 65. Print.

McAleese, Martin. “Report Of The Inter-Departmental Committee To Establish The Facts Of State Involvement With The Magdalen Laundries.” Dublin: Department of Justice and Equality, Ireland (2013). Print.

McRobbie, Angela. The Aftermath Of Feminism: Gender, Culture And Social Change. London: Sage, 2009. Print.

Morash, Chris. A History Of Irish Theatre 1601-2000. Cambridge: Cambridge University Press, 2002. Print.

Mullally, Úna. “Abbey Theatre celebrates 1916 centenary with Only One Woman Playwright.” The Irish Times. 2 Nov 2016. Web. Accessed 30 May 2017. http://www.irishtimes.com/opinion/una-mullally-abbey-theatre-celebrates-1916-centenary-with-only-one-woman-playwright-1.2413277

Murray, Christopher. Twentieth-Century Irish Drama: Mirror up to Nation. Syracuse: Syracuse University Press, 1997. Print.

Nield, Sophie. “There Is Another World: Space, Theatre And Global Anti-Capitalism.” Contemporary Theatre Review 16.01 (2006): 51–61. Print.

O’Connor, Pat. Management And Gender In Higher Education. Oxford: Oxford University Press, 2014. Print.

Prasad, Aanand. “Conference Diversity Distribution Calculator.” Aanandprasad.com. N.d. Web. Accessed Jan 10 2016.

Regan, Aidan and Samuel Brazys. “Celtic Phoenix or Leprechaun Economics? The Politics of an FDI-led Growth Model in Europe.” New Political Economy. 2017. Forthcoming.

Reingold, Beth. “Women as Officeholders: Linking Descriptive and Substantive Representation.” Political Women and American Democracy. Ed. Christina Wolbrecht et al. Cambridge: Cambridge UP, 2008. Print.

Singleton, Brian. “ANU Productions and Site-Specific Performance: The Politics of Space and Place.” That Was Us’: Contemporary Irish Theatre and Performance. Ed. Fintan Walsh. London: Oberon, 2013. 21–36. Print.

Spillane, Alison. “The Impact of the Crisis on Irish Women.” Ireland Under Austerity: Neoliberal Crisis, Neoliberal Solutions. Ed. Colin Coulter and Angela Nagle. Oxford: Oxford UP, 2015. 151–70. Print.

The Abbey. “Waking the Nation 2016 at the Abbey Theatre.” Www.abbeytheatre.ie. Oct 2015. Web. Accessed 10 Jan 2017

The Abbey. “New Middle East.” www.abbeytheatre.ie. 2016. Web. Accessed 30 Mar 2017.

The Economist. “Celtic Phoenix: Ireland Shows There is Economic Life after Death.” The Economist. 19 Nov 2015. Web. Accessed 30 Mar 2017. http://www.economist.com/news/finance-and-economics/21678830-ireland-shows-there-economic-life-after-death-celtic-phoenix

Walsh, Kathy, Jane Suiter and Órla O’Connor. “Hearing Women’s Voices: Exploring Women’s Underrepresentation in Current Affairs Programming at Peak Listening Times in Ireland.” National Women’s Council of Ireland & Dublin City University. Nov. 2015. Print.

Wandor, Michelene. Understudies: Theatre and Sexual Politics. London: Methuen, 1981. Print.

Ward, Margaret. “‘Suffrage First, Above All Else!’ An Account of the Irish Suffrage Movement.” Feminist Review 10 (1982): 21–36. Print.
All items in Spectrum are protected by copyright, with all rights reserved. The use of items is governed by Spectrum's terms of access.

Repository Staff Only: item control page

Downloads per month over past year

Back to top Back to top