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The e-artexte digital repository: Promoting open access in the Canadian contemporary arts research and publishing community

Title:

The e-artexte digital repository: Promoting open access in the Canadian contemporary arts research and publishing community

MacDonald, Corina, Neugebauer, Tomasz ORCID: https://orcid.org/0000-0002-9743-5910 and Latour, John (2014) The e-artexte digital repository: Promoting open access in the Canadian contemporary arts research and publishing community. Art Libraries Journal, 39 (01). pp. 10-16. ISSN 0307-4722

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Official URL: http://dx.doi.org/10.1017/S0307472200018125

Abstract

How can an open access publishing and distribution model benefit research in contemporary art? In 2013 Artexte, a non-profit organization dedicated to documenting contemporary art in Canada, launched the e-artexte open access digital repository to offer self-archiving services to publishers, authors and artists in Canadian contemporary art. Although the fine arts community has generally been slow to adopt open access, Canadian contemporary arts publishers, many of whom have small budgets and limited resources, are finding the open access e-artexte repository an effective means of increasing distribution of and access to their publications.

Divisions:Concordia University > Library
Item Type:Article
Refereed:No
Authors:MacDonald, Corina and Neugebauer, Tomasz and Latour, John
Journal or Publication:Art Libraries Journal
Date:2014
Digital Object Identifier (DOI):10.1017/S0307472200018125
Keywords:open access, repositories, contemporary art, Canada, Artexte, e-artexte
ID Code:983373
Deposited By: JOHN LATOUR
Deposited On:04 Jan 2018 20:23
Last Modified:18 Jan 2018 17:56

References:

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2. Clifford Lynch, “Institutional Repositories: Essential Infrastructure for Scholarship in the Digital Age,” ARL 226 (2003): 2, accessed 27 August 2013, http://www.arl.org/storage/documents/publications/arl-br-226.pdf.

3. Tomasz Neugebauer and A. Murray, “The Critical Role of Institutional Services in Open Access Advocacy,” International Journal of Digital Curation 8:1 (2013): pp. 84-106, accessed 27 August 2013, DOI 10.2218/ijdc.v8i1.238.

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9. Tomasz Neugebauer and C. MacDonald and F. Tayler, “Artexte metadata conversion to EPrints: adaptation of digital repository software to visual and media arts documentation,” International Journal on Digital Libraries 11:4(2012): pp. 263-277, DOI 10.1007/s00799-011-0077-5.

10. “University of the Arts Research Online,” accessed 27 August 2013, http://ualresearchonline.arts.ac.uk/.

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12. For example, see “Four Percent of Moby Dick: Herman Melville,” Toronto: Parasitic Ventures Press, 2006: http://e-artexte.ca/23697/

13. Cliff Eyland, “Venetian Proposal,” 2012, http://e-artexte.ca/23710/.

14. Tomasz Neugebauer, “Timeline Visualization: Photography Exhibition Catalogues in Artexte Collection (1960-)”, PhotographyMedia.com, accessed 27 August 2013, http://www.photographymedia.com/visualizations/artexte/e-artexte-1.html

15. Tomasz Neugebauer, “SIMILE Timeline for e-artexte/EPrints Bibliographic Data”, PhotographyMedia.com, July 2013, accessed 27 August 2013, http://www.photographymedia.com/visualizations/artexte/timeline.html
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