Login | Register

I Don’t: The Commodification of the Bride in Montreal Art from the 1970s


I Don’t: The Commodification of the Bride in Montreal Art from the 1970s

Stratica Mihail, Eliana (2014) I Don’t: The Commodification of the Bride in Montreal Art from the 1970s. Masters thesis, Concordia University.

[thumbnail of StraticaMihail_MA_S2014.pdf]
Text (application/pdf)
StraticaMihail_MA_S2014.pdf - Accepted Version
Available under License Spectrum Terms of Access.


This thesis investigates some of the specific local articulations of the international Women’s Liberation Movement created by artists in Montreal at the beginning of the 1970s. I highlight the prevalence of the commodification of women through marriage as a main focal point for this investigation. My case studies are Mauve’s performances, manifesto and installation, entitled La femme et la ville (1972), and Francine Larivée’s environment-event La chambre nuptiale (1976). The first section of the thesis explores Mireille Dansereau’s documentary J’me marie, j’me marie pas (1973) as an introduction to the social and political contexts in which Mauve’s and Larivée’s works were created. In the second section, I discuss the development of feminism in Montreal, and the history of the institution of the family. The third section examines Mauve’s and Larivée’s works, and their exploration of the bride in relation to commodities, in the context of an increasingly consumerist society. I focus my discussion on commercial mannequins and the white wedding dress, two elements that are at the centre of both La femme et la ville and La chambre nuptiale. Additionally, the thesis casts a critical glance at the ambivalence that characterizes sexually empowered women in the media as both objects of male desire and independent, emancipated individuals. The fourth section deals with the impact of pop art, its Quebec counterpart, ti-pop, and with the cultural democracy model. I conclude my thesis by showing that the commodification of the bride and marriage is a topic that is still relevant today, perhaps even more than it was in the 1970s.

Divisions:Concordia University > Faculty of Fine Arts > Art History
Item Type:Thesis (Masters)
Authors:Stratica Mihail, Eliana
Institution:Concordia University
Degree Name:M.A.
Program:Art History
Date:15 April 2014
Thesis Supervisor(s):Huneault, Kristina
Keywords:Bride, wedding dress, mannequins, commodification, consumerism, Women's Liberation Movement, 1970s, Francine Larivée, Mauve, Mireille Dansereau, Montreal, Quebec, ti-pop, pop art, cultural democracy.
ID Code:978475
Deposited On:26 Jun 2014 20:06
Last Modified:18 Jan 2018 17:46
All items in Spectrum are protected by copyright, with all rights reserved. The use of items is governed by Spectrum's terms of access.

Repository Staff Only: item control page

Downloads per month over past year

Research related to the current document (at the CORE website)
- Research related to the current document (at the CORE website)
Back to top Back to top