References:

Abercrombie, Stanley. George Nelson: The Design of Modern Design. MIT Press, 1995.
Adorno, Theodore. Aesthetic Theory. Trans. by R. Hullot-Cantor, University of Minnesota Press, 1998.
Ahmed, Sara. “Orientations: Toward a Queer Phenomenology.” GLQ: A Journal of Lesbian and Gay Studies, Vol. 12, No 4, 2006, pp. 543-574.
Arendt, Hannah. The Human Condition. University of Chicago Press, 2nd ed., 1998.
---. Lectures on Kant’s Political Philosophy, Ed. Ron Beiner, University of Chicago Press, 1989.
---. Thinking Without a Banister: Essays in Understanding 1953-1975. Ed. Jerome Kohn. Schoken Books, 2018.
Axel, Nick, et al, editors. Superhumanity: Design of the Self. E-flux architecture/University of Minnesota Press, 2018.
Bataille, Georges. “Formless.” Vision of Excess: Selected Writings, 1927-1939, Ed. Alan Stoekl, University of Minnessota Press, 1985.
Battle-Baptiste, B. and B. Rusert, editors. W.E.B. Du Bois’s Data Portraits: Visualizing Black America. Princeton Architectural Press, 2018.
Baudrillard, Jean and Jean Nouvel. The Singular Object of Architecture. Translated by R. Bonionno. University of Minnesota Press, 2002.
Beckett, Samuel. “Imagination Dead Imagine.” First Love and Other Stories, Grove Press, 1974.
Beckwith, Naomi and Dieter Roelstraete, editors. The Freedom Principle: Experiments in Art and Music 1965 to now. Exhibition catalogue, Museum of Contemporary Art Chicago, University of Chicago Press, 2015.
Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Duke University Press, 2010.
Bergdoll, Barry and Leah Dickerman. Bauhaus 1919-1933: workshops for modernity. Museum of Modern Art, 2009.
Betts, Paul. “Science, Semiotics, and Society: The Ulm Hochschule Für Gestaltung in Retrospect.” The Designed World: Images, Objects, Environments, Eds. Buchanan, R. et al, Berg, 2010, pp. 314-327.
Beuys, Joseph and Willoughby Sharp. Joseph Beuys: Public Dialogues. Video document of an interview produced by W. Sharp at New School for Social Research, New York, January, 1974, Electronic Arts Intermix, 1974.
Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso, 2012.
---. “The Social Turn: Collaborations and its Discontents.” Artforum, No. 44, February, 2006. pp. 178-183.
Blanchot, Maurice. The Space of Literature. Trans. by A. Smock, University of Nebraska Press, 1989.
Bock, Anja. “I Don’t Want to be in Your Fucking Movie” Prefix Photo Vol. 7, No. 2, May, 2006, pp. 18-27.
Bois, Yves-Alain and Rosalind E. Krauss. Formless: A User’s Guide, exhibition publication, Zone Books / MIT Press, 1997.
Boone, Marcus, editor. Practice. Whitechapel: Documents of Contemporary Art / MIT Press, 2018.
Borden, Iain and Barbara Penner, editors. Gender, Space, Architecture, Routledge, 1999.
Bourdieu, Pierre. Outline of a Theory of Practice. Translated by R. Nice, Cambridge University Press, 1977.
Buchanan, Ian and Gregg Lambert, editors. Deleuze and Space. University of Toronto Press, 2005.
Buchanan, Richard. “Systems Thinking and Design Thinking: The Search for Principles in the World We Are Making.” she ji - The Journal of Design, Economics, and Innovation. Tongji University Press, Tongji, China. Volume 5, Number 2, Summer 2019.
---. “Wicked Problems in Design Thinking.” Design Issues, Vol. 8, No. 2, Spring, 1992, pp. 5-21.
Buchanan, R., Doordan, D., and Margolin, V., editors. The Designed World: Images, Objects, Environments. Berg, 2010.
Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry. MIT Press, 2000.
---. “The Primary Colors for the Second Time: A Paradigm Repetition of the Neo-Avant-Garde.” October Vol. 37, Summer, 1986, pp. 41-52.
Bueno, Wilson. Paraguayan Sea. Trans. by Erín Moure, Nightboat Books, 2017.
Bürger, Peter. Theory of the Avant-Garde. Trans. by Michael Shaw, University of Minnesota Press, 1984.
Caicco, Gregory, editor. Architecture, Ethics and the Personhood of Place. University Press of New England, 2007.
Casey, Edward S. Getting Back into Place: Toward a Renewed Understanding of the Place-World. Indiana University Press, 2009.
Cassirer, Ernst. The Philosophy of Symbolic Forms (vol. 3: The Phenomenology of Knowledge and Vol. 4: The Metaphysics of Symbolic Forms). Translated by Ralph Manheim, Yale University Press, 1957.
---. Substance and Function and Einstein’s Theory of Relativity. Translation by W. C. & M. C. Swabey, Open Court, 1923.
---. The Warburg Years (1919–1933): Essays on Language, Art, Myth, and Technology. Trans. by S.G. Lofts, Ed. A. Calcagno, Yale University Press, 2013.
Clark, Hazel and David Brody, editors. Design Studies: A Reader. Berg, 2009.
Coles, Alex. Design and Art. MIT Press, 2007.
---. The Transdisciplinary Studio. Sternberg Press, 2012.
de Certeau, Michel. The Practice of Everyday Life. Trans. by S. F. Rendall, University of California Press, 2011.
Christensen, Clayton et al. “What is Disruptive Innovation?” Harvard Business Review, Dec. 2015, pp. 44–53.
Cragg, Tony. “Cutting Up Material.” Das Potential der Dinge, Akademie der Künste, Berlin, Catalogue text, 2006, www.tony-cragg.com/texte/Cutting%20up%20Material.pdf, Accessed Nov. 2019.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. MIT Press, 1992.
Dautrey, Jehanne and Emanuele Quinz, editors. Strange Design: From Objects to Behaviours. it: éditions, 2016.
De Boever, Arne, editor. Bernard Stiegler: Amateur Philosophy: Boundary 2, Vol. 44, No. 1, Duke University Press, 2017.
de Duve, Thierry. Kant After Duchamp. October Books / MIT Press, 1996.
Derrida, Jacques. Writing and Difference. Trans. by A. Bass, Routledge, 2005.
Deutsche, Rosalyn. Evictions: Art and Spatial Politics, MIT Press. 1998.
---. “Art and Public Space: Questions of Democracy.” Social Text, No. 33, 1992, pp. 34-53.
Eds. Corine Diserens and Mela Davila. Vito Hannibal Acconci Studio. Museu d’Art Contemporani de Barcelona, 2004.
Doherty, Claire. Public Art (Now): Out of Time, Out of Place. Art/Books, 2015.
---. “Public Art as Situation: Towards an Aesthetics of the Wrong Place in Contemporary Art Practice and Commissioning” Out of the Studio! A Symposium on Art and Public Space. Z33 Art Centre, 2008.
---. “Sanctum: Temple Church is not dead. It has just been sleeping.” Situations, Bristol, UK, 2015. www.situations.org.uk/read-claire-dohertys-essay-on-sanctum/, Accessed Dec. 2019.
Dreyfus, Hubert. Being in the World: A Commentary on Heidegger's Being in Time, Division 1. Bradford, 1991.
Dreyfus, Hubert and Charles Taylor. Retreiving Realism. Harvard University Press, 2015.
Drill: Hito Steyerl. Pamphlet for the exhibition Drill: Hito Steyerl, June 20-July 21, 2019, Thompson Arts Centre at Park Avenue Armory, New York.
Dunne, Anthony and Fiona Raby. Speculative Everything. MIT Press, 2013.
Dworkin, Craig, editor. Language to Cover a Page, The Early Writings of Vito Acconci. MIT Press, 2006.
Epstein, Brian, “Social Ontology.” The Stanford Encyclopedia of Philosophy. Summer 2018 Edition, Ed. Edward N. Zalta, plato.stanford.edu/archives/sum2018/entries/social-ontology/, Accessed Oct. 2019.
Finkelpearl, Tom. Dialogues in Public Art. MIT Press, 2001.
---. What We Made: Conversations on Art and Social Cooperation. Duke University Press, 2013.
Flew, Terry. The Creative Industries: Culture and Policy. Sage, 2011.
Flusser,Vilèm. Into the Universe of Technical Images. Trans. by N. Roth. University of Minnesota Press, 2011.
---. The Shape of Things: a Philosophy of Design. Trans. by A. Mathews. Reaction Books, 1999.
---. Towards a Philosophy of Photography. Trans. by A. Mathews. Reaktion Books, 2000.
Forster, Andrew. “Impurely Applied: The Architecture and Lanscape Architecture of Vito Acconci,” RACAR (Canadian Art Review), Vol. 39, No. 1, 2014, pp. 11-24.
---. Public Spaces - The Architecture and Landscape Architecture of Vito Acconci: Critical Motion between Art & Design. 2013. Concordia University, Montreal, unpublished MA Thesis, spectrum.library.concordia.ca/.
Forster, E. M. Howard’s End. Reissue edition, Vintage, 1989.
---. “The Machine Stops.” Collected Short Stories. Penguin, 1972.
Foster, Hal. The Art-Architecture complex. Verso, 2010.
---. Design and Crime (And Other Diatribes). Verso, 2002.
Gates, Theaster et al. “9 Principles of Ethical Redevelopment.” Place Lab, University of Chicago, 2016. placelab.uchicago.edu/ethical-redevelopment/, Accessed August, 2019.
Gates, Theaster. “The Black Madonna.” a talk by Theaster Gates: Montreal Museum of Fine Arts, March 20th, 2018 sponsored by Art Speaks, Fondation Phi /DHC-Art, Montreal, unpublished video documentation.
Gobble, Mary Anne. “Defining Disruptive Innovation.” Research-Technology Management 59, Vol. 4., Taylor & Francis, 2016.
Grima, Joseph. “Interview with Steven Holl and Vito Acconci” Architecture + Art : Crossover and Collaboration, the Architecture Foundation, London, 11 June, 2009, Tate Modern, Video. www.architecturefoundation.org.uk/programme/2009/architecture-art-crossover-and-collaboration/steven-holl-and-vito-acconci. Accessed July 2019.
Grosz, Elizabeth. Architecture from the Outside. MIT Press, 2001.
---. Chaos, Territory, Art: Deleuze and the Framing of the Earth. Columbia University Press, 2008.
Harman, Graham. Bells and Whistles: More Speculative Realism. Zero Books, 2013.
Harwood, John. “The Wound Man: George Nelson and the ‘End of Architecture.’” Grey Room 31, Spring, 2008, pp. 90–115.
Hayles, N. Katherine. Electronic Literature: New Horizons for the Literary, University of Notre-Dame Press, 2008.
Horne, Stephen. Abandon Building: Selected Writings on Art (1992-2006). Eleven Press, 2007.
---. A Rumble of Thread Set Free. Unpublished text, 2017.
Horwitz, Andy. “Complicating Theaster Gates.” 2013. Culturebot: Maximum Performance, Sep. 2013. www.culturebot.org/2013/09/19077/complicating-theaster-gates/. Accessed Oct. 2019.
---. “Questioning the Innovation Agenda.” Culturebot: Maximum Performance, 2013. www.culturebot.org/2013/10/19493/questioning-the-innovation-agenda/. Accessed Aug. 2019.
Hudek, Antony. “From Over- to Sub-Exposure: The Anamnesis of Les Immatériaux.” Tate Papers 12, Landmark Exhibitions (autumn 2009), Tate London, www.tate.org.uk/research/publications/tate-papers/12/from-over-to-sub-exposure-the-anamnesis-of-les-immateriaux. Accessed Aug., 2018.
Hunter, Lynette. Politics of Practice: A Rhetoric of Performativity. Palgrave Macmillan, 2019.
Huppatz, D. J. “Revisiting Herbert Simon’s Science of Design.” Design Issues: Vol. 31, No. 2, Spring 2015 p29-40.
Hyde, Rory. Future Practice: Conversations from the Edge of Architecture. Routledge, 2013.
Ingold, Tim. Making: Anthropology, archaeology, art and architecture. Routledge. 2013.
---. “That’s Enough about ethnography.” HAU: Journal of Ethnographic Theory, Vol. 4, No. 1, 2014, pp. 383-395.
---. “Towards an Ecology of Materials.” Annual Review of Anthropology, No.41, 2012, pp. 427-442.
Introna, Lucas.“Phenomenological Approaches to Ethics and Information Technology.” The Stanford Encyclopedia of Philosophy (Fall 2017 Edition), Ed. Edward N. Zalta. plato.stanford.edu/archives/fall2017/entries/ethics-it-phenomenology/. Accessed Oct. 2019.
Jacobs, Mary Jane. “Process as Public Practice.” Art and Public Life Symposium Dossier, Critical Inquiry, 2014, criticalinquiry.uchicago.edu/art_and_public_life_symposium_dossier/, Accessed Sept. 2019.
Jameson, Frederic. “The Aesthetics of Singularity” New Left Review, No. 92, Mar.-Apr., 2015, pp. 101-132.
Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. University of California Press, 1993.
---. “Scopic Regimes of Modernity.” Vision and Visuality. Ed. Hal Foster, Bay Press, 1988.
Jodoin, Andre. “Practical Knowledge for Art and Design.” Menlo Park Journal (online), Ed. A. Forster, March, 2013. menlopark.ca/response-what-is-a-theory-of-practice-2/. Accessed Jul., 2019.
Jones, Jonathan. “Why Steve McQueen is Proof of Video Art’s Cultural Irrelevance.” The Guardian, Dec. 6, 2013.
Joselit, David. After Art. Princeton University Press, 2013.
König, Kaspar, et al, editors. Skulptur Projecte Münster 2017. (catalogue), Spector Books, 2017.
Koolhaas, Rem, et al. “2 Architects 10 Questions on Program: Rem Koolhaas + Bernard Tschumi.” PRAXIS 8, May, 2006.
Koolhaas Rem. “Junkspace” October, Vol. 100, Spring, 2002, MIT Press, pp. 175-190.
Lambert-Beatty, Carrie. Being Watched: Yvonne Rainer and the 1960s. MIT Press, 2008.
Lanier, Jarron. “Digital Maoism: The hazards of the new online collectivism.” Edge, 2006. www.edge.org/conversation/digital-maoism-the-hazards-of-the-new-online-collectivism. Accessed Oct., 2019.
Latour, Bruno. Down to Earth: Politics in the New Climatic Regime. Trans. C. Porter, Polity Press, 2018.
---. Politics of Nature: How to Bring the Sciences into Democracy. Trans. C. Porter, Harvard University Press, 2004.
---. Reassembling the Social: An Introduction to Actor–Network Theory. Oxford University Press, 2005.
---. “What is Given in Experience?”. Boundary 2, Vol. 32, No. 1, Duke University Press, 2005, pp. 223-237.
---. “Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern.” Critical Inquiry. Vol. 30 No. 2. University of Chicago Press, 2004, pp. 225-248.
Lee, Pamela M. Forgetting the Art World. MIT Press, 2012.
Lefebvre, Henri. “The Everyday and Everydayness.” Yale French Studies, No. 73, Yale University Press, 1987, pp 7-11.
---. The Production of Space. Trans. D. Nicholson-Smith. Wiley-Blackwell. 1992.
Lepore, Jill. “The Disruption Machine: What the Gospel of Innovation Gets Wrong.” The New Yorker, June 23, 2014, www.newyorker.com/magazine/2014/06/23/the-disruption-machine, Accessed October, 2019.
Leung, Gil. “Theaster Gates: My Labor is My Protest.” Art Agenda, October, 2012.
Lewis, George E.. A Power Stronger Than Itself: The AACM and American Experimental Music, University of Chicago Press, 2008.
---. “Question & Answer 2” Panel discussion with Khari B., Naomi Beckwith, John Corbett, Theaster Gates, Miklos Gosztonyi, George E. Lewis, Elvira Dyangani Ose, Blake Stimson, Nka: Journal of Contemporary African Art, No. 34, Spring 2014, Duke University Press, pp. 56-58.
Litweiler, John. The Freedom Principle: Jazz after 1958, De Capo Press,1990.
Margolin, Victor. Politics of the Artificial: Essays on Design and Design Studies. University of Chicago Press, 2002.
---. “Politics of the Artificial.” Leonardo, Volume 28, Number 5, October 1995, pp. 349-356.
---. The struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946. University of Chicago Press, 1998.
McDonough, Tom. “Theaster Gates.” BOMB Magazine. No. 130, Winter, 2015. https://bombmagazine.org/articles/theaster-gates/, Accessed Oct. 2019.
McGraw, Hesse. “Theaster Gates: Radical Reform with Everyday Tools.” Afterall: A Journal of Art, Context and Enquiry, Summer, 2012.
McQuilten, Grace. Art in Consumer Culture: Mis-Design. Ashgate, 2011.
Medwel, Tom. “Secret Links Uncovered Between Pure Math and Physics.” Quanta Magazine, Dec. 2012, https://www.quantamagazine.org/secret-link-uncovered-between-pure-math-and-physics-20171201/, Accessed, Aug. 2019.
Miller, Daniel. “Materiality: An Introduction.” Materiality. Ed. Daniel Miller, Duke University Press, 2005, pp 1-50.
Mitchell, W. J. T., editor. Art and the Public Sphere. University of Chicago Press, 1993.
Mitchell, W. J. T. and Mark Hansen, editors. Critical Terms for Media Studies. University of Chicago Press, 2010.
Morris, David. Merleau-Ponty’s Developmental Ontology. Northwestern University Press, 2018.
---. The Sense of Space. State University of New York Press, 2004.
Neher, Allister. Panofsky, Cassirer, and perspective as symbolic form. PhD thesis, Concordia University, Montreal, 2000.
Nelson, George. “How to Kill People: A Problem of Design,” Industrial Design , Vol. 8, No. 1, January, 1961: p. 45.
---. “How to Kill People: A Problem of Design,” Camera Three, CBS Television (USA) series, 24min film, broadcast 1960.
Noë, Alva. Strange Tools: Art and Human Nature. Hill and Wang, 2015.
Noë, Alva and Evan Thompson, editors. Vision and Mind: Selected Readings in the Philosophy of Perception. MIT Press, 2002.
O’Connor, Justin. The Cultural and Creative Industries: A Literature Review. Creativity Culture and Education / Arts Council of England, 2010.
Osborne, Peter. “The Fiction of Contemporary: Speculative Collectivity and the Global Transnational,” Pavilion Journal, video of a presentation about the Atlas Group, 2010, vimeo.com/9087032, Accessed Dec. 2019.
Ortner, Sherry. Anthropology and Social Theory: Culture, Power, and the Acting Subject. Duke University Press, 2006.
Panofsky, Erwin. Perspective as Symbolic Form. Translated by C. S. Wood, Zone Books, 1991.
---. Meaning in the Visual Arts. University of Chicago Press, 1983.
Papanek, Victor. Design for the Real World: Human Ecology and Change. Academy Chicago Publishers, 2005.
Pepi, Mike. “Silicon Values: Hosting an incubator for creative start-ups, the New Museum has embraced the age of the entrepreneur.” Art in America, Oct., 2016.
Plaza, Beatrice. “The Bilbao Effect.” Museum News, No. 68, Sept/Oct 2007, American Association of Museums, pp. 13-15.
Plotnitsky, Arkady. “Afterword.” Poiesis and Enchantment in Topological Matter, by Sha Xin Wei, MIT Press, 2013.
Plotnitsky, Arkady. “Algebras, Geometries and Topologies of the Fold: Deleuze, Derrida and quasi-Mathematical Thinking (with Leibniz and Malarmé).” Between Deleuze and Derrida, Eds. Paul Patton & John Protevi, Continuum, 2003.
Putnam, EL. “Review: Duty Free Art: Art in the Age of Planetary Civil War by Hito Steyerl,” Visual Resources, 34:1-2, 2018, pp.178-180.
Pye, David. The Nature and Aesthetics of Design. 1978, reprint, Cambium Press, 1982.
---. The Nature and Art of Workmanship. 1968, reprint, Herbert Press, 2008.
---. The Nature of Design. Studio Vista, 1964, reprint, 1967.
Rawsthorn, Alice. “Design and Violence,” Catalogue text for the interactive exhibition of the same name organized by Paola Antonelli, MOMA/DAP, New York, 2015, https://www.moma.org/interactives/exhibitions/2013/designandviolence/how-to-kill-people-george-nelson/, Accessed Dec. 2019.
Rendell, Jane. Art and Architecture: A Place Between. I. B. Tauris, 2007.
---. (Ed.) Critical Architecture. Routledge, 2007.
---. (Ed.) Gender Space Architecture: An Interdisciplinary Introduction. Routledge, 1999.
---. “In From, In and With Anne Tallentire.” Field: a free journal for architecture, Vol 7., issue 1, Nov. 2017, field-journal.org/portfolio-items/field-7-becoming-a-feminist-architect/, Accessed Nov. 2019.
---. “Only Resist: a feminist approach to critical spatial practice.” The Architecture Review, March, 2018.
---. Site Writings. I. B. Tauris. 2011.
---. “Tendencies and Trajectories: Feminist Approaches in Architecture.” Architectural Theory Handbook, Eds. S. Cairns et al. Sage, 2011, pp 85-97.
Robinson, Joel. “Scraps of Freedom (Theaster Gates…)” World Sculpture News, Summer, 2015, pp. 56-61.
Schatzki, Theodore. “Art Bundles.” Artistic Practices: Social interactions and cultural dynamics. Ed. Tasos Zembylas. Routledge, 2014, pp. 17-31.
---. “Elements of a Wittgensteinian Philosophy of the Human Sciences. Synthese, Vol. 8, No. 2, May 1991, pp. 311-329.
---. The Site of the Social: a philosophical account of the constitution of social life and change. Pennsylvania State University Press, 2002.
---. The Timespace of Human Activity: On Performance, Society, and History as Indeterminate Teleological Events. Lexington Books, 2010.
Schatzki, Theodore et al, editors. The Practice Turn in Contemporary Theory. Routledge, 2001.
Sha, Xin Wei, Poiesis and Enchantment in Topological Matter. MIT Press, 2013.
Schumpeter, Joseph. Capitalism, Socialism and Democracy, Harper, 1975.
Silverman, Kaja. 2015. The Miracle of Analogy, or, The History of Photography. Stanford, CA: Stanford University Press, 2015.
Simon, Herbert. The Sciences of the Artificial, 3rd ed., MIT Press, 1996.
---. “Understanding the Natural and Artificial Worlds.” Design Studies: A Reader, excerpt from The Sciences of the Artificial, Eds. Hazel Clark and David Brody, Berg, 2009.
Simon, Sherry. Untitled. Notes from a panel discussion with Erín Moure and Andrew Forster, FOFA Gallery, Concordia University, Montreal. November 9, 2017.
Skidelsky, Edward. Ernst Cassirer: The Last Philosopher of Culture. Princeton University Press, 2008.
Sloan, Johanne. Urban Enigmas. McGill Queen’s University Press. 2007.
Smith, Roger. “The Modern Art of Innovation.” Research-Technology Management 59, Vol. 4, 2016, pp. 59-60.
Soja, Edward. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. Verso. 2011.
Steyerl, Hito. Duty Free Art: Art in the Age of Planetary Civil War. Verso, 2017.
---. “In Free Fall – A Thought Experiment in Vertical Perspective.” E-Flux Journal, No. 24, E-Flux, 2011.
Steyerl, Hito and Jennifer Thatcher. “No solution.” Interview, Art Monthly, London. Apr. 2014, Issue 375, p. 1-4.
Stiegler, Bernard. “The Age of De-proletarianisation: Art and Teaching Art in Post-Consumer Culture.” ArtFutures: Current Issues in Higher Arts Education. ELIA (European League of Institutes of the Arts), December 2010, pp. 10-19.
---. “The Amateur.” Ars Idustrialis association international pour une politique industrielle des technologies de l’esprit. no date. arsindustrialis.org/amateur-english-version. Accessed Nov. 11, 2019.
---. “The Proletarianization of Sensibility.” Boundary 2, Vol. 44, No. 1, Ed. Arne De Boever, Duke University Press, 2017, pp. 5-18.
---. Technics and Time. Vol 1-3. Trans. by R. Beardsworth and G. Collins. Stanford University Press, 1998.
Sullivan, Louis. “The Tall Office Building Artistically Considered.” Lippincott’s Monthly Magazine, March, 1896.
Summers, David. Real Spaces: World Art History and the Rise of Western Modernism. Phaidon, 2003.
Taylor, Charles. Hegel and Modern Society. Cambridge University Press, 1979.
Tisdall, Caroline. Art into Society, Society into Art. ICA, 1974.
Vidler, Anthony. Warped Space: Art, Architecture, and Anxiety in Modern Culture. MIT Press, 2000.
Vishmidt, Marina. “Mimesis of the Hardened and Alienated: Social Practice as Business Model.” e-flux journal, No. 43, March, 2013.
Williams, Raymond. Culture. Fontana, 1981.
Winnicott, Donald. Playing and Reality. Tavistock, 1971.
Ziarek, Ewa Plownowska. Feminist Aesthetics and the Politics of Modernism. Columbia University Press, 2012.