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Extending Genetic Criticism to Audiotexts: A Conversation with Jason Wiens

Title:

Extending Genetic Criticism to Audiotexts: A Conversation with Jason Wiens

Wiens, Jason and Camlot, Jason ORCID: https://orcid.org/0000-0002-1378-6562 (2020) Extending Genetic Criticism to Audiotexts: A Conversation with Jason Wiens. SPOKENWEBLOG .

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Abstract

Jason Lee Wiens, a CanLit scholar, has been involved in the SpokenWeb Pedagogy Task Force, developing approaches to teaching with sound recordings, over the past year. Wiens’ engagement in the use of sound recordings in the teaching of Canadian poetry has led him to think about the relationship between sound recordings of author’s reading their works (sometimes in advance of their publication) and the published versions of those same poems. The following discussion explores and extends some of the thinking developed for Wiens' paper “Sounding Difference: Genetic Criticism and Literary Audio Recordings,” delivered at at the “Genesis – Genetic Criticism: from Theory to Practice” conference held at the Jagiellonian University (Kracow), and co-sponsored by the Institute des Textes et Manuscrits Modernes (Paris), 12-14 June 2019.

Divisions:Concordia University > Faculty of Arts and Science > English
Item Type:Article
Refereed:No
Authors:Wiens, Jason and Camlot, Jason
Editors:Camlot, Jason
Contributors:WIens, Jason and Camlot, Jason (Interviewee, Interviewer)
Journal or Publication:SPOKENWEBLOG
Date:19 December 2020
Projects:
  • The SpokenWeb: conceiving and creating a nationally networked archive of literary recordings for research and teaching
Funders:
  • Social Sciences and Humanities Research Council of Canada (SSHRC)
Keywords:Audiotexts, Can Lit, Deanna Fong, deformance, Flywheel Poetry Series, genetic criticism, Kootenay School of Writing, Pedagogy, poetry, Roy Kiyooka, SGW Reading Series, Sir George Williams Poetry Reading Series
ID Code:991090
Deposited By: Alexandra Sweny
Deposited On:01 Oct 2022 22:03
Last Modified:01 Oct 2022 22:03
Related URLs:
Additional Information:This article is published as part of the Listening, Sound, Agency Forum which presents profiles, interviews, and other materials featuring the research and interests of future participants in the 2021 SpokenWeb symposium. This series of articles provides a space for dialogical and multimedia exchange on topics from the fields of literature and sound studies, and serves as a prelude to the live conference.
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