Login | Register

Plastic Trees Tell no Tale: The Non-Subjective Accounts of ‘Nature’ in Philippe Grandrieux’s Sombre and Un Lac

Title:

Plastic Trees Tell no Tale: The Non-Subjective Accounts of ‘Nature’ in Philippe Grandrieux’s Sombre and Un Lac

Trudeau-Tremblay, Étienne (2023) Plastic Trees Tell no Tale: The Non-Subjective Accounts of ‘Nature’ in Philippe Grandrieux’s Sombre and Un Lac. Masters thesis, Concordia University.

[thumbnail of TrudeauTremblay_MA_S2023.pdf]
Preview
Text (application/pdf)
TrudeauTremblay_MA_S2023.pdf - Accepted Version
Available under License Spectrum Terms of Access.
613kB

Abstract

The articulation of audio-visual effects in Philippe Grandrieux’s Sombre (1998) and Un Lac (2009) effectively accounts for the non-anthropogenic world without relying upon its mediation through representation. Through a series of complex formal manipulations of their visual and sonic components, both films shape and inscribe the potential of depicting non-human entities in film beyond paradigms of narration and illustration. Building upon significant works by Gilles Deleuze as well as contemporary scholarship mobilizing some of Deleuze’s concepts, this research approaches two of Grandrieux’s feature films for their unstriated accounts of the non-anthropogenic world. More precisely, this analysis points to the way they frame this world’s qualitative capacity to form territorial arrangements or its potential to convey logics of sensation. Through a close audio-visual analysis of both Sombre and Un Lac, this research endeavor aims to examine epistemologies that account for the depiction of the non-anthropogenic world beyond the Anthropocene. At the same time, it seeks to understand how these same epistemologies account for depiction of relationships in between the anthropogenic world and the non-anthropogenic world in ways that elude their conception in subjectivity.

Divisions:Concordia University > Faculty of Fine Arts > Mel Hoppenheim School of Cinema
Item Type:Thesis (Masters)
Authors:Trudeau-Tremblay, Étienne
Institution:Concordia University
Degree Name:M.A.
Program:Film and Moving Image Studies
Date:June 2023
Thesis Supervisor(s):Caminati, Luca
Keywords:Deleuze, Grandrieux, Nature, Subjectivity, Expression.
ID Code:992631
Deposited By: �tienne Trudeau-Tremblay
Deposited On:15 Nov 2023 17:51
Last Modified:15 Nov 2023 17:51

References:

Chamarette, Jenny. Phenomenology and the Future of Film: Rethinking Subjectivity beyond French Cinema. Palgrave Macmillan, 2012.

Chion, M., and C. Gorbman. Audio-Vision: Sound on Screen. Columbia University Press, 2019.

Deleuze, Gilles. Francis Bacon : Logique De La Sensation. Éditions Du Seuil, 2002.

Deleuze, Gilles, et al. Mille Plateaux. Éditions de minuit, 1980.

Fancy, David. “Geoartistry: Invoking the Postanthropocene via Other-Than-Human Art.” Interrogating the Anthropocene: Ecology, Aesthetics, Pedagogy, and the Future in Question, edited by Jan Jagodzinski, Springer International Publishing, 2018, pp. 217–235

Goudet, Stéphane, and Claire Vassé. "Philippe Grandrieux: Quitter Le Chemin Pour Retrouver l'Étendue*." Positif, no. 456, 02, 1999, pp. 10-14.

Hainge, Greg. Philippe Grandrieux: Sonic Cinema. Bloomsbury Academic, 2017.

Jagodzinski, Jan. Interrogating the Anthropocene: Ecology, Aesthetics, Pedagogy, and the Future in Question, edited by Jan Jagodzinski, Springer International Publishing, 2018.

Kruth, Patricia, and Henry Stobart. Sound. Cambridge University Press, 2000.

Pijanowski, Bryan C., et al. “Soundscape Ecology: The Science of Sound in the Landscape.” BioScience, vol. 61, no. 3, 2011, pp. 203–216.

Sheikh, Shela. “The Future of the Witness: Nature, Race and More-than-Human Environmental Publics.” Kronos, no. 44, 2018, pp. 145–162.

Snaza, Nathan. “The Earth Is Not “Ours” to Save” Interrogating the Anthropocene: Ecology, Aesthetics, Pedagogy, and the Future in Question, edited by Jan Jagodzinski, Springer International Publishing, 2018, pp. 339–357

Walton, Saige. “‘Folds in the Soul’: Deleuze’s Baroque, Wölfflin and Grandrieux’s Un Lac (2008).” Culture, Theory and Critique, vol. 57, no. 2, Routledge, May 2016, pp. 197–214, doi:10.1080/14735784.2016.1161527.

Youngblood, Gene, and R. Buckminster Fuller. Expanded Cinema. Fiftieth anniversary edition, Fordham University Press, 2020.
All items in Spectrum are protected by copyright, with all rights reserved. The use of items is governed by Spectrum's terms of access.

Repository Staff Only: item control page

Downloads per month over past year

Research related to the current document (at the CORE website)
- Research related to the current document (at the CORE website)
Back to top Back to top