DeFrias, Caroline (2024) Locating the Queer Gesture: Point and Line to Flesh. Masters thesis, Concordia University.
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Abstract
In this thesis, I seek to articulate queerness as an embodied politic and poetic of disorientation I call the gesture, which I locate within the works and my encounters with Agnes Martin, Marlow Moss, and Catherine Opie. Here, through both visual analysis, critical theory, embodied experience and its memory, I illuminate queer aspects and potentialities of encounters with works of art not through indicting the body of viewer (myself), the artists I discuss, nor the particular aesthetics of their works towards the production of a stable archive, but rather through the ephemeral and disorienting encounters of identification both found and challenged in the works of art I discuss. In my methodology, I seek to maintain a poetic posture of opacity and respect the refusal I locate in these works and in myself, as I engage auto theory. My thesis seeks to articulate queerness as a plurality of strategy and embodiment, through describing my experiences and analyses of the works of Agnes Martin, Marlow Moss, and Catherine Opie—three artists who mean a great deal to me, as a queer subject.
| Divisions: | Concordia University > Faculty of Fine Arts > Art History |
|---|---|
| Item Type: | Thesis (Masters) |
| Authors: | DeFrias, Caroline |
| Institution: | Concordia University |
| Degree Name: | M.A. |
| Program: | Art History |
| Date: | 1 April 2024 |
| Thesis Supervisor(s): | Chew, May |
| Keywords: | Queer, counter-archive, phenomenology, embodiment, embodied knowledge, situated knowledge, Agnes Martin, Marlow Moss, Catherine Opie |
| ID Code: | 993598 |
| Deposited By: | Caroline DeFrias |
| Deposited On: | 04 Jun 2024 14:08 |
| Last Modified: | 04 Jun 2024 14:08 |
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