References:

Abe, K. (2011). Hit Me! https://www.kahoabe.net/portfolio/hit-me/

Abe, K., Babycastles, Takahashi, K., & Subramanian, V. (2012). Mario Ball. https://www.
kahoabe.net/portfolio/mad-fun-show/

Abe, K., & Fenequito, L. (2010). Mary Mack 5000. https://www.kahoabe.net/portfolio/ mary-mack-5000/

Acland, C. R. (Ed.). (2007). Residual media. University of Minnesota Press.

Alt CTRL Game Jam. (2014). Alt CTRL Game Jam. https://web.archive.org/web/201412
13162848/altctrlgamejam.com/

Alt Ctrl Game Jam. (2014, December 11). Results. https://web.archive.org/web/201412
11034221/http://www.altctrlgamejam.com/results/53bbe6d8b0c52be2545e066d

Anable, A. (2018). Playing with feelings: Video games and affect. University of Minnesota
Press.

Ananny, M. (2023). Making Mistakes: Constructing Algorithmic Errors to Understand Sociotechnical Power. Osiris, 38, 223–241. https://doi.org/10.1086/725146

Antero, H. (2018, April 27). Três controles de videogame pra você construir com papelão. Vice.
https://www.vice.com/pt/article/wj79y5/nintendo-labo-papelao-controles- alternativos

Anthropy, A. (2012). Rise of the videogame zinesters: How freaks, normals, amateurs, artists,
dreamers, dropouts, queers, housewives, and people like you are taking back an art form. Seven Stories Press. http://search.ebscohost.com/login.aspx?direct=true&sco
pe=site&db=nlebk&db=nlabk&AN=731324

Apperley, T. (2009). Gaming rhythms: Play and counterplay from the situated to the global.
Institute of Network Cultures.

Arjoranta, J. (2014). Game Definitions: A Wittgensteinian Approach. Game Studies, 14(1).
https://www.gamestudies.org/1401/articles/arjoranta

Arora, S., Kaur, S., Kar, R., Sharma, S., & Eden, G. (2023). What Not to Wear: Exploring Taboos in
Clothing Through Speculative Design. Proceedings of the 2023 ACM Designing Interactive Systems Conference, 1–14. https://doi.org/10.1145/3563657.3595972

Ásgeirsson, L. H., Toupin, M.-A., & Wiley, B. (2018). Sk8Border. https://sk8border.gith
ub.io/sk8border/

Ash, J. (2013). Technologies of Captivation: Videogames and the Attunement of Affect. Body & Society, 19(1), 27–51. https://doi.org/10.1177/1357034X11411737

Ash, J. (2015). The interface envelope: Gaming, technology, power. Bloomsbury Publishing USA.

Auger, J. (2013). Speculative design: Crafting the speculation. Digital Creativity, 24(1), 11–35.
https://doi.org/10.1080/14626268.2013.767276

Autodesk. (2024). Yours for the making. Instructables. https://www.instructables.com/

Bagnall, G. L. (2017). Queer(ing) Gaming Technologies Thinking on Constructions of Normativity Inscribed in Digital Gaming Hardware. In B. Ruberg & A. Shaw (Eds.),
Queer Game Studies. University of Minnesota Press.

Barad, K. (2014). Diffracting Diffraction: Cutting Together-Apart. Parallax, 20(3), 168–187.
https://doi.org/10.1080/13534645.2014.927623

Bardzell, J., & Bardzell, S. (2013). What is” critical” about critical design? Proceedings of the
SIGCHI Conference on Human Factors in Computing Systems, 3297–3306.

Bardzell, J., Bardzell, S., & Stolterman, E. (2014). Reading Critical Designs: Supporting Reasoned Interpretations of Critical Design. Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 1951–1960. https://doi.org/10.1145/2556288. 2557137

Bardzell, S., Bardzell, J., Forlizzi, J., Zimmerman, J., & Antanitis, J. (2012). Critical design
and critical theory: The challenge of designing for provocation. Proceedings of the Designing
Interactive Systems Conference, 288–297. https://doi.org/10.1145/2317956. 2318001

Barr. (2023, October 30). Microsoft Is Dropping Support for ’Unauthorized’ Xbox Controllers,
Accessories. Gizmodo. https://gizmodo.com/microsoft-unauthorized-xbox-
controllers-accessories-1850971997

Baumgarten, R. (2014). A Dozen Sliders.

Baumgarten, R. (2015). Line Wobbler. https://www.wobblylabs.com/line-wobbler

Belich, J., & Dowd, M. (2013). Choosatron. https://choosatron.com/

Benjamin, W. (1935). The Work of Art in the Age of Mechanical Reproduction. Illuminations, 26.

Black, A., & Burisch, N. (2020). From craftivism to craftwashing. In The New Politics of the
Handmade: Craft, Art and Design (1st edition, pp. 13–32). Bloomsbury Visual Arts.

Blaine, T. (2005). The convergence of alternate controllers and musical interfaces in interactive
entertainment. Proceedings of the 2005 Conference on New Interfaces for Musical Expression, 27–33.

Boal, A. (2002). Games for Actors and Non-Actors (A. Jackson, Trans.). Boal, A. (2008). Theatre of the oppressed (New ed). Pluto Press.

Bogost, I. (2007). Persuasive games: The expressive power of videogames. MIT Press.

Boluk, S., & LeMieux, P. (2017). Metagaming: Playing, Competing, Spectating, Cheating, Trading, Making, and Breaking Videogames. University of Minnesota Press. http://eb
ookcentral.proquest.com/lib/concordia-ebooks/detail.action?docID=4745543

Bouchard, D. (2012). The Peripherals Initiative (pp. 179–186). Brill. https://doi.org/10.1
163/9781848881617_018

Boufleur, R. N. (2006). A questão da gambiarra: formas alternativas de desenvolver artefatos e suas relações com o design de produtos [Master’s thesis, Universidade de São Paulo].
https://doi.org/10.11606/D.16.2006.tde-24042007-150223

Bowker, G. C., & Star, S. L. (1999). Sorting things out: Classification and its consequences. MIT
Press.

Braun, V., & Clarke, V. (2013). Successful qualitative research: A practical guide for beginners.
SAGE.

Braun, V., & Clarke, V. (2019). Reflecting on reflexive thematic analysis. Qualitative Research in
Sport, Exercise and Health, 11(4), 589–597. https://doi.org/10.1080/2159676X.201 9.1628806

Brecht, B. (2005). Estudos sobre teatro (2nd ed.). Ed. Nova Fronteira.

Bruno, F. (2017). Objetos técnicos sem pudor: gambiarra e tecnicidade. Revista ECO-Pós, 20(1, 1), 136–149. https://doi.org/10.29146/eco-pos.v20i1.10407

Bulut, E. (2020). A Precarious Game: The Illusion of Dream Jobs in the Video Game Industry.
ILR Press.

Carrubba, L. (2019). Los juegos posibles. La creación de videojuegos alternativos entre arte,
mercado y cultura de masas [PhD thesis, Universitat de Barcelona]. In TDX (Tesis Doctorals en
Xarxa). http://www.tdx.cat/handle/10803/667499

Chapman, O., & Sawchuk, K. (2012). Research-Creation: Intervention, Analysis and ”Family
Resemblances”. Canadian Journal of Communication, 37(1). https://doi.org/10.222
30/cjc.2012v37n1a2489

Chapman, O., & Sawchuk, K. (2015). Creation-as-Research: Critical Making in Complex Environments. RACAR: Revue d’art Canadienne / Canadian Art Review, 40(1), 49–52.
http://www.jstor.org/stable/24327426

Chiapello, L. (2017). Epistemological Underpinnings in Game Design Research (pp. 16–33).

Clement, A., McPhail, B., Smith, K. L., & Ferenbok, J. (2012). Probing, mocking and prototyping:
Participatory approaches to identity infrastructuring. Proceedings of the 12th Participatory Design Conference: Research Papers - Volume 1, 21–30. https://doi.or g/10.1145/2347635.2347639

Cooking Mama Ltd. (2006). Cooking Mama.

Copenhagen Game Collective. (2008). Dark Room Sex Game.

Copenhagen Game Collective. (2010). Brutally Unfair Tactics Totally OK Now (B.U.T.T.O.N.).
http://brutallyunfairtactics.com/

Copenhagen Game Collective. (2018). The Undie Game. http://www.copenhagengamecoll
ective.org/projects/the-undie-game/

Corbinais, P. (2020). About alternative controllers. Shake That Button. http://shakethatb
utton.com/about-alternative-controllers/

Corden, J. (2023). As Microsoft blocks Xbox fighting game and disability accessories, XIM
cheaters will escape the ban. https://www.msn.com/en-us/news/technology/as-
microsoft-blocks-xbox-fighting-game-and-disability-accessories-xim-cheaters-will-escape-the-ban/ar-AA1jAzU3

Couture, J. (2017, February 16). Alt.Ctrl.GDC Showcase: Student project Emotional Fugitive
Detector. Gamasutra. https://www.gamasutra.com/view/news/291302/AltCtrlGDC_
Showcase_Student_project_Emotional_Fugitive_Detector.php

Couture, J. (2019a). Alt.Ctrl.GDC Showcase: Octopad. https://www.gamedeveloper.com/di
sciplines/alt-ctrl-gdc-showcase-i-octopad-i-

Couture, J. (2019b, February 26). Alt.Ctrl.GDC Showcase: Cook Your Way. /view/news/337240/AltC-trlGDC_Showcase_Cook_Your_Way.php

Couture, J. (2020a). ALT.CTRL.GDC Showcase: Guilty Smells. https://www.gamedeveloper.
com/disciplines/alt-ctrl-gdc-showcase-i-guilty-smells-i-

Couture, J. (2020b, February 26). ALT.CTRL.GDC Showcase: Mouse & the Billionaire’s Buy! Sell! Game Developer. https://www.gamedeveloper.com/disciplines/alt-ctrl-
gdc-showcase-mouse-the-billionaire-s-i-buy-sell-i-

Crookall, D. (2014). Engaging (in) Gameplay and (in) Debriefing. Simulation & Gaming, 45(4-5),
416–427. https://doi.org/10.1177/1046878114559879

Cross, N. (2007). From a design science to a design discipline: Understanding designerly ways of knowing and thinking. In R. Michel (Ed.), Design research now: Essays and selected projects (pp. 41–54). Birkhäuser Basel. https://doi.org/10.1007/978-3- 7643-8472-2₃

CTRL+ALT Baguette. (2023). CTRL+ALT Baguette. https://ctrlaltbaguette.com/about. html

CyberCirujas. (2024). CyberCirujas - Página principal - Fórum. https://cybercirujas.reb
elion.digital/foro/index.php

Dantec, C. A. L., & DiSalvo, C. (2013). Infrastructuring and the formation of publics in
participatory design. Social Studies of Science, 43(2), 241–264. https://doi.org/10.117
7/0306312712471581

de Castell, S., Jenson, J., & Thumlert, K. (2014). From Simulation to Imitation: Controllers,
Corporeality, and Mimetic Play. Simulation & Gaming, 45(3), 332–355. https://doi.or
g/10.1177/1046878114542316

DiSalvo, C. (2012). Adversarial design. MIT Press.

Disterer, G., & Kleiner, C. (2013). BYOD Bring Your Own Device. Procedia Technology, 9, 43–53.
https://doi.org/10.1016/j.protcy.2013.12.005

Dourish, P., Finlay, J., Sengers, P., & Wright, P. (2004). Reflective HCI: Towards a Critical
Technical Practice. CHI ’04 Extended Abstracts on Human Factors in Computing Systems, 1727–1728. https://doi.org/10.1145/985921.986203

Dunne, A. (2006). Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design (New Ed edition). MIT Press.

Dunne, A., & Raby, F. (2013). Speculative everything: Design, fiction, and social dreaming.
MIT Press.

Dunne, D. J. (2014). Brechtian Alienation in Videogames. Press Start, 1(1), 79–99. https:
//press-start.gla.ac.uk/index.php?journal=press-start&page=article&op=view&path%5B%5D=8

Dyer-Witheford, N. (2001). Nintendo Capitalism: Enclosures and Insurgencies, Virtual and
Terrestrial. Canadian Journal of Development Studies / Revue Canadienne d’études Du Développement, 22(4), 965–996. https://doi.org/10.1080/02255189.2001.9669951

Dyer-Witheford, N., & De Peuter, G. (2009). Games of empire: Global capitalism and video games. University of Minnesota Press.

Ey, M., Pietruch, J., & Schwartz, D. I. (2010). ”Oh-No! Banjo”: A case study in alternative game
controllers. Proceedings of the International Academic Conference on the Future of Game Design and Technology - Futureplay ’10, 215. https://doi.org/10.1145/1920778. 1920810

Flanagan, M. (2006). [giantJoystick].

Flanagan, M. (2009). Critical play: Radical game design. MIT Press.

Fourneau, A., & Stanley, D. E. (2017). BookNIAROF: guide de bricolage pour fabrication de fêtes
foraines.

Frasca, G. (2004, June 24). Videogames of the Oppressed. Electronic Book Review. http:
//electronicbookreview.com/essay/videogames-of-the-oppressed/

Freire, P. (2000). Pedagogy of the oppressed (30th anniversary ed). Continuum.

Freire, P., & Macedo, D. (2018). Pedagogy of the Oppressed: 50th Anniversary Edition (4 edition).Bloomsbury Academic.

Fron, J., Fullerton, T., Morie, J. F., & Pearce, C. (2007). The Hegemony of Play. Situated Play,
Proceedings of DiGRA 2007 Conference. Situated Play, Digital Games Research Association (DiGRA).

Fuchs, M. (2010). Ludic interfaces. In R. Catlow, M. Garrett, C. Morgana, FACT (Great Britain), &
Furtherfield.org. (Eds.), Artists re:thinking games. FACT (Foundation for Art and Creative
Technology).

Galloway, A. R. (2006). Gaming: Essays on algorithmic culture. University of Minnesota Press.

Game Arts International Assembly. (2021). Game Arts Curators Kit. https://gameartsinte
rnational.network/gameartscuratorskit/doku.php

Gauntlett, D. (2013). Making is Connecting. John Wiley & Sons. https://books.google.c
om?id=0iGw8peCe5EC

Gaver, B., & Bowers, J. (2012). Annotated portfolios. Interactions, 19(4), 40–49. https:
//doi.org/10.1145/2212877.2212889

Gaver, W. W., Beaver, J., & Benford, S. (2003). Ambiguity As a Resource for Design. Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, 233–240.
https://doi.org/10.1145/642611.642653

GDC. (2020). Alt.ctrl.GDC Archive. Game Developers Conference. https://gdconf.com/a
lt-ctrl-gdc/archive

Gesomino, R. (2018). A arte da lata: uma crítica à estética da “gambiarra” ou como tecer uma
análise crítica sem utilizar os discursos da precariedade e da provisoriedade. POIÉSIS, 16(25),
215. https://doi.org/10.22409/poiesis.1625.215-229

Gibb, A. M. (2010). NEW MEDIA ART, DESIGN, AND THE ARDUINO MICROCONTROLLER:
A MALLEABLE TOOL [Master’s thesis]. Pratt Institute.

Giroux, J. (2017). Living Orb. http://livingorb.io/

Gitelman, L. (2006). Always already new: Media, history and the data of culture. MIT Press.

Goodley, D. (2013). Dis/entangling critical disability studies. Disability & Society, 28(5),
631–644. https://doi.org/10.1080/09687599.2012.717884

Goodley, D., Lawthom, R., Liddiard, K., & Runswick-Cole, K. (2019). Provocations for Critical
Disability Studies. Disability & Society, 34(6), 972–997. https://doi.org/10.1
080/09687599.2019.1566889

Grace, L. (2014). Critical Games: Critical Design in Independent Games. Proceedings of DiGRA 2014: <Verb That Ends in “Ing”> the <Noun> of Game <Plural Noun>. https:
//doi.org/10.13140/2.1.2607.3603

Granzotto Llagostera, E. (2012). Criticality in Game Design Practice [IT University of Copen-
hagen]. http://www.bibliotecadigital.unicamp.br/document/?code=71278&opt=1 Granzotto

Llagostera, E. (2018). Gambi_abo. https://enricllagostera.github.io/gamb
i_abo/

Granzotto Llagostera, E. (2019a). Cook Your Way. https://enric.llagostera.com.br/co okyourway/

Granzotto Llagostera, E. (2019b). Cook Your Way: Political Game Design with Alternative
Controllers. Companion Publication of the 2019 on Designing Interactive Systems Conference 2019 Companion, 25–28. https://doi.org/10.1145/3301019.3325148

Granzotto Llagostera, E. (2019c). Critical Controllers: How Alternative Game Controllers Foster
Reflective Game Design. Companion Publication of the 2019 on Designing Interactive Systems
Conference 2019 Companion, 85–88. https://doi.org/10.1145/3301019.3324
872

Granzotto Llagostera, E. (2019d). Discussion · enricllagostera/RedDirt Wiki. https://github
.com/enricllagostera/RedDirt/wiki/Discussion

Granzotto Llagostera, E. (2019e). Discussion · enricllagostera/SensingGestures Wiki. https:
//github.com/enricllagostera/SensingGestures/wiki/Discussion

Granzotto Llagostera, E. (2019f). Discussion · enricllagostera/Shellphone Wiki. https://gith
ub.com/enricllagostera/shellphone/wiki/Discussion

Granzotto Llagostera, E. (2022a). Commits · enricllagostera/P5.beholder. https://github.c
om/enricllagostera/p5.beholder/commits/main/

Granzotto Llagostera, E. (2022b). P5.beholder documentation. https://enricllagostera.
github.io/p5.beholder/

Granzotto Llagostera, E., Gyory, P., & Owens, P. (2022). DE VOLTA. https://enric.llagos
tera.com.br/2022/07/04/de-volta/

Granzotto Llagostera, E., & Khaled, R. (2023). On Cooking a Sour Game. Journal of Games Criticism, 5. http://gamescriticism.org/articles/llagosterakhaled-5-a

Guevara-Villalobos, O. (2011). Cultures of independent game production: Examining the rela-
tionship between community and labour. DiGRA Conference.
197

Gyory, P., Owens, P., Bethancourt, M., Banic, A., Zheng, C., & Do, E. Y.-L. (2022). Build Your Own
Arcade Machine with Tinycade. Creativity and Cognition, 312–322. https:
//doi.org/10.1145/3527927.3533023

Hall, C. (2020, February 4). Pakistani game developers denied a visa for GDC made a game about it instead. Polygon. https://www.polygon.com/2020/2/4/21122459/pakistani-gdc- visa-denied-game

Hall, S., McLennan, G., & Hall, S. (2021). Selected writings on Marxism. Duke University Press.

Hallnäs, L., & Redström, J. (2001). Slow Technology – Designing for Reflection. Personal Ubiquitous Comput., 5(3), 201–212. https://doi.org/10.1007/PL00000019

Hammar, E. L., Jong, C., & Despland-Lichtert, J. (2023). Time to stop playing: No game studies on a dead planet. Eludamos: Journal for Computer Game Culture, 14(1, 1), 31–54.
https://doi.org/10.7557/23.7109

Haraway, D. (1988). Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective. Feminist Studies, 14(3), 575–599. https://doi.org/10
.2307/3178066

Haraway, D. J. (2004). The Haraway reader. Routledge. Harmonix. (2005). Guitar Hero.

Harrer, S. (2017, June 4). Gotland Game’s most wacky custom controllers. Copenhagen Game Collective - an experimental games collective. https://www.copenhagengamecollecti
ve.org/2017/06/04/gotland-games-most-wacky-custom-controllers/

Harrer, S. (2019). Intersexionality and the Undie Game. First Person Scholar. http://www.
firstpersonscholar.com/intersexionality-and-the-undie-game/

Harrer, S., Nielsen, S., & Jarnfelt, P. (2019). Of Mice and Pants: Queering the Conventional Gamer Mouse for Cooperative Play. Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems - CHI ’19, 1–11. https://doi.org/10.1145/329060 7.3310431

Harris, M. (2023). Palo Alto: A History of California, Capitalism, and the World. Little, Brown and
Company.

Harrison, S., Tatar, D., & Sengers, P. (2007). The three paradigms of HCI. Alt. Chi. Session at the
SIGCHI Conference on Human Factors in Computing Systems San Jose, California, USA, 1–18.

Hartman, K., Westecott, E., Colpitts-Campbell, I., Robinson Faber, J., Shao, Y., Luginbuhl, C.,
Prior, O., & Laroia, M. (2021). Textile Game Controllers: Exploring Affordances of E-Textile
Techniques as Applied to Alternative Game Controllers. Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction, 1–14.
https://doi.org/10.1145/3430524.3446069

Harvey, A. (2014). Democratization, depoliticization, and the queering of game design.
GAME - The Italian Journal of Game Studies, 1(03), 13.

Hayles, N. K. (1999). How we became posthuman: Virtual bodies in cybernetics, literature, and
informatics. University of Chicago Press.
198

Herman, E. S., & Chomsky, N. (2002). Manufacturing consent: The political economy of the mass media. Pantheon Books. http://swbplus.bsz-bw.de/bsz100815537inh.htm

Hertz, G. (2016). What is Critical Making? Current, 07. https://current.ecuad.ca/what-
is-critical-making

Hertz, G. (2023). Art + DIY electronics. The MIT Press. https://doi.org/10.7551/mitpre ss/9324.001.0001

Hoang, K. (Director). (2014, September 12). Alt Ctrl Game Jam 2014 Keynote 4 by Kim Hoang.
https://www.youtube.com/watch?v=zZulspOynnc

Horton, M. (1990). We Make the Road by Walking: Conversations on Education and Social Change (Illustrated edition). Temple University Press.

Hughes, L., Simon, B., Tingley, J., & Smith, S. (2010). Propinquity. http://smallbutdigi
tal.com/projects/propinquity/

Huhtamo, E. (2005). Slots of Fun, Slots of Trouble: An Archaeology of Arcade Gaming. In J. Raessens & J. H. Goldstein (Eds.), Handbook of computer game studies (pp. 3–21). MIT Press.
http://www.gbv.de/dms/ilmenau/toc/388082496raess.PDF

Huhtamo, E. (2016). Amusement Arcade. In R. Guins & H. Lowood (Eds.), Debugging game history: A critical lexicon. The MIT Press.

Indiecade. (2021). Beyond Screens: Talking Alternative Controllers with Phoenix Perry and Robin Baumgarten. https://www.twitch.tv/videos/931872747

Irani, L. C., & Silberman, M. S. (2016). Stories We Tell About Labor: Turkopticon and the Trouble
with ”Design”. Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems, 4573–4586. https://doi.org/10.1145/2858036.2858592

Irani, L., & Silberman, M. S. (2014). From critical design to critical infrastructure: Lessons from
turkopticon. Interactions, 21(4), 32–35. https://doi.org/10.1145/2627392

Jacobo, M. (2020). La objetualidad entre los videojuegos y el arte. Controles alternativos e
instalaciones. Cuadernos Del Centro de Estudios En Diseño y Comunicación. Ensayos, 110, 65–75.

Jahrmann, M. (2011). Ludics for a Ludic Society. The Art and Politics of Play [Thesis, University
of Plymouth]. https://doi.org/10.24382/4840

Jones, S. E. (2016). Controller. In R. Guins & H. Lowood (Eds.), Debugging game history: A critical lexicon. The MIT Press.

Jones, S. E., & Thiruvathukal, G. K. (2012). Codename revolution: The Nintendo Wii platform.
MIT Press.

Juul, J. (2010). A casual revolution: Reinventing video games and their players. MIT Press.

Karasti, H. (2014). Infrastructuring in participatory design. Proceedings of the 13th Participa-
tory Design Conference on Research Papers - PDC ’14, 141–150. https://doi.org/10.114
5/2661435.2661450

Karasti, H., & Syrjänen, A.-L. (2004). Artful infrastructuring in two cases of community PD.
Proceedings of the Eighth Conference on Participatory Design Artful Integration: Interweaving
Media, Materials and Practices - PDC 04, 1, 20. https://doi.org/10.1145/1011870.10 11874

Kawakami, K., & Papia, D. (1998). 99 more unuseless Japanese inventions : The art of Chindogu. New York, N.Y. : W.W. Norton & Co. http://archive.org/details/99moreunuselessj 01kawa

Kawakami, K., Papia, D., & Fearnley-Whittingstall, H. (1995). 101 unuseless Japanese inven- tions : The art of Chindogu. London : HarperCollins. http://archive.org/details/10 1unuselessjapa00kawa

Keogh, B. (2018). A play of bodies: How we perceive videogames. MIT Press.

Keogh, B. (2019). From aggressively formalised to intensely in/formalised: Accounting for a wider range of videogame development practices. Creative Industries Journal, 12(1), 14–33.
https://doi.org/10.1080/17510694.2018.1532760

Keogh, B. (2023). The videogame industry does not exist: Why we should think beyond commercial game production. The MIT Press.

Kerr, C. (2018, April 20). Create your own cardboard controllers with free ’gambi_abo’ blueprints. Game Developer. https://www.gamedeveloper.com/design/create-your-own-
cardboard-controllers-with-free-gambi_abo-blueprints

Khaled, R. (2018). Questions Over Answers: Reflective Game Design. In D. Cermak- Sassenrath (Ed.), Playful Disruption of Digital Media (pp. 3–27). Springer Singapore.
https://doi.org/10.1007/978-981-10-1891-6_1

Khaled, R., Lessard, J., & Barr, P. (2018). Documenting Trajectories in Design Space: A Methodology for Applied Game Design Research. Proceedings of the 13th International Conference on the Foundations of Digital Games, 27:1–27:10. https://doi.org/10.1145/ 3235765.3235767

Kirkpatrick, G. (2009). Controller, Hand, Screen: Aesthetic Form in the Computer Game.
Games and Culture, 4(2), 127–143. https://doi.org/10.1177/1555412008325484

Kirkpatrick, G. (2011). Aesthetic theory and the video game. Manchester University Press ;
distributed in the United States exclusively by Palgrave Macmillan.

Konami. (1998). Dance Dance Revolution.

Kotsia, I., Zafeiriou, S., Goudelis, G., Patras, I., & Karpouzis, K. (2016). Multimodal Sensing in
Affective Gaming. In K. Karpouzis & G. N. Yannakakis (Eds.), Emotion in Games: Theory and Praxis (pp. 59–84). Springer International Publishing. https://doi.org/ 10.1007/978-3-319-41316-7_4

Kreminski, M. (2018). Gardening games zine. itch.io. https://mkremins.itch.io/gardeni ng-games-zine

Kultima, A. (2018). Game Design Praxiology. Tampere University Press. http://tampub.u
ta.fi/handle/10024/103315

Kusahara, M. (2007). Device Art: A New Approach in Understanding Japanese Contempo- rary Media Art. In O. Grau (Ed.), MediaArtHistories. MIT Press.

Lajoie, J. (2021). Applied Media Theory, Critical Making, and Queering Video Game Controllers.
https://doi.org/10.7273/AKVG-XM09

Lave, J., & Wenger, E. (1991). Situated learning: Legitimate peripheral participation. Cam- bridge University Press.

Le Doux, A. (2020). Bitsy Game Maker. https://ledoux.itch.io/bitsy

Lederman, L. C. (1992). Debriefing: Toward a Systematic Assessment of Theory and Practice.
Simulation & Gaming, 23(2), 145–160. https://doi.org/10.1177/1046878192 232003

LeMieux, P. (2018). Octopad. http://patrick-lemieux.com/projects/Octopad/

Lesage, F. (2015). FCJ-182 Middlebroware. The Fibreculture Journal, 25, 89–114. https:
//doi.org/10.15307/fcj.25.182.2015

Lievrouw, L. A. (2006). Oppositional and activist new media: Remediation, reconfiguration,
participation. Proceedings of the Ninth Conference on Participatory Design: Expanding Boundaries in Design - Volume 1, 115–124. https://doi.org/10.1145/1147261.1147279

Light, A. (2011). HCI as heterodoxy: Technologies of identity and the queering of interaction with computers. Interacting with Computers, 23(5), 430–438. https://doi.org/10.101
6/j.intcom.2011.02.002

Lindtner, S., & Lin, C. (2017). Making and its promises. CoDesign, 13(2), 70–82. https:
//doi.org/10.1080/15710882.2017.1308518

Lipkin, N. (2013). Examining Indie’s Independence: The Meaning of ”Indie” Games, the Politics of Production, and Mainstream Cooptation. Loading..., 7(11, 11). https:
//loading.journals.publicknowledgeproject.org/loading/index.php/loading/ article/view/122

Logitech. (2019). Adaptive Gaming Kit.

Lucky Frame. (2014). ROFLPillar.

Ludwig, T., Pipek, V., & Tolmie, P. (2018). Designing for Collaborative Infrastructuring:
Supporting Resonance Activities. Proceedings of the ACM on Human-Computer Interaction, 2, 1–29. https://doi.org/10.1145/3274382

Machado, V. (2019, August 9). In Cook Your Way you must cook a meal with a strange controller to get through immigration. Rock, Paper, Shotgun. https://www.rockpa
pershotgun.com/in-cook-your-way-you-must-cook-a-meal-with-a-strange-
controller-to-get-through-immigration

Maeda, J. (2020). The laws of simplicity: Design, technology, business, life (First MIT Press
paperback edition). The MIT Press.

Mahatanankoon, P. (2015). Bring Your Own Device (BYOD) and Work/Life Balance. In Encyclopedia of Information Science and Technology, Third Edition (pp. 3721–3725). IGI Global. https://doi.org/10.4018/978-1-4666-5888-2.ch365

Malpass, M. (2017). Critical Design in Context: History, Theory, and Practices. Bloomsbury
Academic.

Marcotte, J. R. (2018). Queering Control(lers) Through Reflective Game Design Practices.
Game Studies, 18(3). http://gamestudies.org/1803/articles/marcotte

Marcotte, J. R. (2021). Hybrid Knowing: Preserving Physically and Digitally Entangled Traces in
Hybrid Game Design [PhD thesis, Concordia University]. https://spectrum.library
.concordia.ca/988094/

Martin-Niedecken, A. L., Márquez Segura, E., Rogers, K., Niedecken, S., & Turmo Vidal, L.
(2019). Towards Socially Immersive Fitness Games: An Exploratory Evaluation Through Embodied Sketching. Extended Abstracts of the Annual Symposium on Computer-Human Interaction in Play Companion Extended Abstracts, 525–534. https://doi.org/10.1145/ 3341215.3356293

Marx, K. (1977). Capital: a critique of political economy (B. Fowkes, Trans.; Vol. 1). Vintage
Books.

Mattern, S. C. (2017). Introduction: Ether/ore. In Code + clay ... Data + dirt: Five thousand years
of urban media (pp. vii–xl). University of Minnesota press.

Matthews, E. (2020, May 22). You can watch the guy who invented Counter-Strike surf maps stream his work on Twitch. PC Gamer. https://www.pcgamer.com/you-can-watch-
the-guy-who-invented-counter-strike-surf-maps-stream-his-work-on-twitch/

Maywa Denki. (2009). Otamatone.

McEwan, M. W., Blackler, A. L., Johnson, D. M., & Wyeth, P. A. (2014). Natural mapping and
intuitive interaction in videogames. Proceedings of the First ACM SIGCHI Annual Symposium on Computer-human Interaction in Play, 191–200. https://doi.org/10.114 5/2658537.2658541

MEC. (2005). MOTOR KARAOKE. http://grogore.free.fr/event/motorkaraoke/motor kara.htm

MechBird. (2020, November). ALT CTRL AT HOME. itch.io. https://itch.io/jam/alt- ctrl-at-home

MechBird (Director). (2022, March 26). [Alt.ctrl] What’s professional alt.ctrl making? https:
//www.youtube.com/watch?v=4ZW0c5mvSgA

Meow Wolf. (2024). Meow Wolf | Immersive Art Experiences & Interactive Exhibits. https:
//meowwolf.com/

Messias, J. (2019). Gambiarra como mediação. E-Compós. https://doi.org/10.30962/e c.1848

Microsoft. (2010). Kinect.

Microsoft. (2018). Xbox Adaptive Controller XAC.

mmeiburg. (2023). Mmeiburg/unityAndroidSensors. https://github.com/mmeiburg/unit yAndroidSensors

Mogensen, P. (1992). Towards a Provotyping Approach in Systems Development. Scandina- vian J. Inf. Systems, 4(1), 5.

Mouse and the Billionaire. (2022). Buy! Sell! https://www.mouseandthebillionaire.com
/buySell/

Mueller, F. ’Floyd’., Kari, T., Li, Z., Wang, Y., Mehta, Y. D., Andres, J., Marquez, J., &

Patibanda, R. (2020). Towards Designing Bodily Integrated Play. Proceedings of the Fourteenth
International Conference on Tangible, Embedded, and Embodied Interaction, 207–218.
https://doi.org/10.1145/3374920.3374931

Nakamura, L. (2009). Interfaces of Identity: Oriental Traitors and Telematic Profiling in 24.
Camera Obscura: Feminism, Culture, and Media Studies, 24(1), 109–133. https:
//doi.org/10.1215/02705346-2008-016
202

Nicoll, B. (2016). Mimesis as mediation: A dialectical conception of the videogame inter- face.
Thesis Eleven, 137(1), 22–38. https://doi.org/10.1177/0725513616654793

Nicoll, B., & Keogh, B. (2019). The Unity Game Engine and the Circuits of Cultural Software.

Nielsen, O. B. W., Krebs, M., Sølberg, J. S., Hovgaard, M. H., Hansen, N. S., Hansen, B. D.,
& Larsen, L. J. (2020). The Time Machine and The Voodoo Doll: Exploring customized computer game controllers and their influence on the experience of play. Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering.
https://portal.findresearcher.sdu.dk/en/publications/the-time-
machine-and-the-voodoo-doll-exploring-customized-compute

Nintendo Inc. (1989). NES Hands Free. Nintendo Inc. (2006). Wii Remote.

Nintendo Inc. (2007). Wii Fit with Wii Balance Board. Nintendo Inc. (2017). Joy-Con.

Nintendo Inc. (2019). Ring Fit Adventure.

Nintendo Inc. (2018). Nintendo Labo™ for the Nintendo Switch™ home gaming system - Toy-Con Garage. https://labo.nintendo.com/invent/

Nooney, L. (2013). A Pedestal, A Table, A Love Letter: Archaeologies of Gender in Videogame
History. Game Studies, 13(2). http://gamestudies.org/1302/articles/no oney

Norman, D. A. (1990a). The design of everyday things (1st Doubleday/Currency ed). Double- day.

Norman, D. A. (1990b). The Psychology of Everyday Actions. In The design of everyday things
(1st Doubleday/Currency ed, pp. 34–53). Doubleday.

NYU Game Innovation Lab. (2012, October). Alt Ctrl Game Jam. http://gil.poly.edu/a ltctrlgamejam/

O’Donnell, C. (2014). Developer’s dilemma: The secret world of videogame creators. The MIT Press.

Odom, W., Banks, R., Durrant, A., Kirk, D., & Pierce, J. (2012). Slow technology: Critical re-
flection and future directions. Proceedings of the Designing Interactive Systems Conference,
816–817. https://doi.org/10.1145/2317956.2318088

Oliveira, P. (2015, October 8). Cheat Sheet for a Non- (or Less-) Colonialist Speculative Design.
Medium. https://medium.com/a-parede/cheat-sheet-for-a-non-or-less- colonialist-speculative-design-9a6b4ae3c465

Oliveira, P., & Prado, L. (2019). Designer/Shapeshifter: A Decolonizing Redirection for Speculative and Critical Design. In T. Fisher & L. Gamman (Eds.), Tricky Design: The Ethics of Things. Bloomsbury Publishing Plc. https://doi.org/10.5040/9781474277 211

p5 community. (2015). Home | P5.js. https://p5js.org/

Pacampara, N. (2016, April 12). We Are Fine: That Ain’t Your Old Folks Oppression 101 (Different Games 2016). Medium. https://medium.com/we-are-fine-we-ll-be-fine/we-are-
fine-that-ain-t-your-old-folks-oppression-101-different-games-2016-16f76eb2b1fc

Paiva, P. (2017). Carrocalipse by Menos Playstation. itch.io. https://menosplaystation.i
tch.io/carrocalipse

Palavecino, L., Palavecino, R., & Hormeche, A. (2016). Orpheus Quest. https://laurapal
avecino.com/orpheus-quest/

Parisi, D. (2011). Game Interfaces as Bodily Techniques. Gaming and Simulations: Concepts,
Methodologies, Tools and Applications, 1033–1047. https://doi.org/10.4018/978-1- 60960-195-9.ch409

Parisi, D. (2015). A Counterrevolution in the Hands: The Console Controller as an Er- gonomic
Branding Mechanism. Journal of Games Criticism, 2(1), 23.

Parisi, D. (2017, May 30). Game Interfaces as Disabling Infrastructures. Analog Game Studies.
http://analoggamestudies.org/2017/05/compatibility-test-videogames-as- disabling-infrastructures/

Parker, F. (2012). An Art World for Artgames. Loading..., 7(11). http://journals.sfu.ca/
loading/index.php/loading/article/view/119

Parker, F. (2013). Indie Game Studies Year Eleven. 11.

Parker, J. R. (2008). Buttons, Simplicity, and Natural Interfaces. Loading..., 2(2). http:
//journals.sfu.ca/loading/index.php/loading/article/view/33

Pearce, C. (2020). IndieCade: A History — The Interdependence of Independents (pp. 12316585 Bytes). Carnegie Mellon University. https://doi.org/10.1184/R1/13107266.V1

Pedercini, P. (2014). Videogames and the Spirit of Capitalism | Molleindustria. http://www.mo
lleindustria.org/blog/videogames-and-the-spirit-of-capitalism/

Perry, P. (Director). (2021, February 8). Bespoke videogame controllers. https://www.youtub
e.com/watch?v=d7bSHzk_gnA

Perry, P. (2023, December 20). Ctrl Shift: How Crip Alt Ctrl Designers Change the Game and
Reimagine Access. https://doi.org/10.31219/osf.io/mahn5

Phillips, A. (2020). Negg(at)ing the Game Studies SubjectAn Affective History of the Field. Feminist Media Histories, 6(1), 12–36. https://doi.org/10.1525/fmh.2020.6.1.12

Phillips, H. E., Olou, R., & Pacampara, N. (2015). We Are Fine, We’ll Be Fine. http://wear
efine.ca/

Pichlmair, M. (2015, November 10). Pacifiers as Game Controllers – Alt Ctrl game jam 2015. Copenhagen Game Collective - an experimental games collective. http://www.copenh
agengamecollective.org/2015/11/10/pacifiers-as-game-controllers-alt-ctrl- game-jam-2015/

Polson, J. (2013, December 13). GDC 2014 wants submissions for ’ALT.CTRL’ alternative controller exhibit. Indie Games Plus. https://indiegamesplus.com/2013/12/gdc_201 4_wants_submissions_for

Polson, J. (2014, April 30). Alt.ctrl.discuss: How A Dozen Sliders can help solve effective
interac. Game Developer. https://www.gamedeveloper.com/design/alt-ctrl-discuss-how-
a-dozen-sliders-can-help-solve-effective-interaction

Pötzsch, H. (2017). Playing Games with Shklovsky, Brecht, and Boal: Ostranenie, V-Effect, 204 and Spect-Actors as Analytical Tools for Game Studies. Game Studies, 17(2). http://gamestudies.org/1702/articles/potzsch

Prado, L., & Oliveira, P. (2015, February 27). Futuristic Gizmos, Conservative Ideals. Modes of
Criticism. http://modesofcriticism.org/futuristic-gizmos-conservative- ideals/

Prado, L., & Oliveira, P. (2017, August 31). Questioning the “critical” in Speculative & Critical
Design. Medium. https://medium.com/a-parede/questioning-the-critical-in-
speculative-critical-design-5a355cac2ca4

Raley, R. (2009). Tactical media. University of Minnesota Press.

Ratto, M. (2011). Critical Making: Conceptual and Material Studies in Technology and Social Life. The Information Society, 27(4), 252–260. https://doi.org/10.1080/019722 43.2011.583819

Rickenbach, M. von. (2012). RAKETE.

Rihm, S., & Olsson, M. (2013). Bring Your Own Device : What is it good for. https://urn.kb
.se/resolve?urn=urn:nbn:se:hkr:diva-11585

Rosas, R. (2008). Gambiarra: alguns pontos para se pensar uma tecnologia recombinante.

GAMBIARRA, 1(1, 1), 19–26. https://doi.org/10.22409/gambiarra.v1i1.29620

Ruberg, B., & Shaw, A. (Eds.). (2017). Queer game studies. University of Minnesota Press.

Ruffino, P. (2013). Narratives of independent production in video game culture. Loading...,
7(11, 11). https://journals.sfu.ca/loading/index.php/loading/article/view/1

Ruiz, A., de Vicq, L., & Lima, L. (2020). Pat Pat Please! https://leticiadevicq.com/copy-
of-pat-pat-please

Schalk, S. (2017). Critical Disability Studies as Methodology. Lateral, 6(1). https://doi.or
g/10.25158/L6.1.13

Schmalzer, M. (2020). Janky controls and embodied play: Disrupting the cybernetic game- play
circuit. Game Studies, 20(3).

Schön, D. A. (2017). The Reflective Practitioner : How Professionals Think in Action. Routledge.
https://doi.org/10.4324/9781315237473

Schultz, T., Abdulla, D., Ansari, A., Canlı, E., Keshavarz, M., Kiem, M., Martins, L. P. de O., &
Oliveira, P. J. S. V. de. (2018). What Is at Stake with Decolonizing Design? A Roundtable. Design
and Culture, 10(1), 81–101. https://doi.org/10.1080/17547075.2018.1434368

Schwartz, D. I. (2011). Teaching Students to Make Alternative Game Controllers. Journal of
Game Design and Development Education, 1(1).

Sengers, P., Boehner, K., David, S., & Kaye, J. ’Jofish’. (2005). Reflective Design. Proceedings of
the 4th Decennial Conference on Critical Computing: Between Sense and Sensibility, 49–58.
https://doi.org/10.1145/1094562.1094569

Shake That Button. (2013). Shake That Button. Shake That Button – Alternative controllers, video game installations; playful performances. http://shakethatbutton.com/

Sharp, J. (2015). Works of game: On the aesthetics of games and art. The MIT Press.

Sicart, M. (2014). Play matters. The MIT Press.

Sicart, M. (2017). Queering the Controller. Analog Game Studies, IV (IV). http://analogga
mestudies.org/2017/07/queering-the-controller/

Skalski, P., Tamborini, R., Shelton, A., Buncher, M., & Lindmark, P. (2011). Mapping the road to
fun: Natural video game controllers, presence, and game enjoyment. New Media & Society, 13(2), 224–242. https://doi.org/10.1177/1461444810370949

Sonic Team (Sega). (1999). Samba de Amigo. Sony. (2003). EyeToy.

Sony. (2010). PlayStation Move.

Sotamaa, O., & Svelch, J. (Eds.). (2021a). Game Production Studies. Amsterdam University Press. https://doi.org/10.5117/9789048551736

Sotamaa, O., & Svelch, J. (2021b). Introduction: Why Game Production Matters? In O. Sotamaa & J. Svelch (Eds.), Game Production Studies. Amsterdam University Press.
https://doi.org/10.5117/9789048551736

Spiel, K. (2021). The Bodies of TEI &#x2013; Investigating Norms and Assumptions in the Design of Embodied Interaction. Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction, 1–19. https://doi.org/10.1145/343052 4.3440651

Spiel, K., & Gerling, K. (2019). The Surrogate Body in Play. Proceedings of the Annual Symposium on Computer-Human Interaction in Play, 397–411. https://doi.org/10.114 5/3311350.3347189

Spiel, K., & Gerling, K. (2021). The Purpose of Play: How HCI Games Research Fails Neurodivergent Populations. ACM Transactions on Computer-Human Interaction, 28(2), 11:1–11:40. https://doi.org/10.1145/3432245

Spiel, K., Gerling, K., Bennett, C. L., Brulé, E., Williams, R. M., Rode, J., & Mankoff, J. (2020).
Nothing About Us Without Us: Investigating the Role of Critical Disability Studies in HCI. Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems, 1–8. https://doi.org/10.1145/3334480.3375150

Star, S. L., & Bowker, G. C. (2006). How to Infrastructure. In L. A. Lievrouw & S. M. Livingstone
(Eds.), Handbook of new media: Social shaping and social consequences of ICTs (Updated student ed, pp. 230–245). SAGE.

Star, S. L., & Ruhleder, K. (1996). Steps Toward an Ecology of Infrastructure: Design and Access
for Large Information Spaces. Information Systems Research, 7(1), 111–134.
https://doi.org/10.1287/isre.7.1.111

Stebbins, R. (2001). Exploratory Research in the Social Sciences. SAGE Publications, Inc.
https://doi.org/10.4135/9781412984249

Stenros, J. (2017). The Game Definition Game: A Review. Games and Culture, 12(6), 499–520.
https://doi.org/10.1177/1555412016655679

Stern, E. (1999). Runners (EQ). https://eddostern.com/works/runners-eq/

Stern, E. (2006). Darkgame 1. https://eddostern.com/works/darkgame-1/

Stewart, L. P. (1992). Ethical Issues in Postexperimental and Postexperiential Debriefing.
Simulation & Gaming, 23(2), 196–211. https://doi.org/10.1177/1046878192232007
206

Studio Playfool. (2023, July 25). NEW PROJECT: How (not) to get hit by a self-driving car A
street-based game that challenges visitors to avoid being detected by an AI-powered camera. Can you fool the AI and reach the goal? Collab with @tomokihara as part of @wshed @PlayableCity https://t.co/4GBhcmJOZu [Tweet]. Twitter. https://twitter.com/studio
playfool/status/1683749959944884226

Suchman, L. (2012). Configuration. In C. Lury & N. Wakeford (Eds.), Inventive methods: The
happening of the social. Routledge.

Swink, S. (2009). Game feel: A game designer’s guide to virtual sensation. Morgan Kaufmann
Publishers/Elsevier.

Taylor, T. L. (2009). The Assemblage of Play. Games and Culture, 4(4), 331–339. https:
//doi.org/10.1177/1555412009343576

Thorpe, A., Ma, M., & Oikonomou, A. (2011). History and alternative game input methods. 2011 16th International Conference on Computer Games (CGAMES), 76–93. https://doi.
org/10.1109/CGAMES.2011.6000321

Toft, I. (2021). Brittle Configurations: Practical Explorations on Games and Vibrotactile Media
[PhD thesis, Concordia University]. https://spectrum.library.concordia.ca/id/e print/990122/

Tonkinwise, C. (2014). How We Intend to Future: Review of Anthony Dunne and Fiona Raby, Speculative Everything: Design, Fiction, and Social Dreaming. Design Philosophy Papers, 12(2), 169–187. https://doi.org/10.2752/144871314X14159818597676

Torres, C., Sterman, S., Nicholas, M., Lin, R., Pai, E., & Paulos, E. (2018). Guardians of
Practice: A Contextual Inquiry of Failure-Mitigation Strategies within Creative Practices.
Proceedings of the 2018 Designing Interactive Systems Conference, 1259–1267. https://doi.
org/10.1145/3196709.3196795

Truesdell, E. J. K., & Magerko, B. (2023). Three Design Themes for Collaborative Alternative
Controllers. Proceedings of the 18th International Conference on the Foundations of Digital Games, 1–8. https://doi.org/10.1145/3582437.3582473

Tuyishime, B. T., & Kriglstein, S. (2021). Rrrring &amp; Play: Using a Rotary Dial Telephone as
Game Controller. Extended Abstracts of the 2021 Annual Symposium on Computer- Human Interaction in Play, 382–385. https://doi.org/10.1145/3450337.3483451

Vallgårda, A., & Fernaeus, Y. (2015). Interaction Design as a Bricolage Practice. Proceedings of
the Ninth International Conference on Tangible, Embedded, and Embodied Interaction, 173–180. https://doi.org/10.1145/2677199.2680594

van Ryn, L. (2013). Gestural economy and cooking mama: Playing with the politics of natural user interfaces. Scan - Journal of Media Arts Culture, 199.

Videogamo. (2016). DOBOTONE. http://videogamo.com/dobotone/

Vilela dos Santos, T. (2018a, May 22). [ALT CTRL] Game Design Beyond Screens & Joysticks - Game Interaction Loop (2/5). Game Developer. https://www.gamedeveloper.com/de
sign/-alt-ctrl-game-design-beyond-screens-joysticks---game-interaction- loop-2-5-

Vilela dos Santos, T. (2018b, May 29). [ALT CTRL] Game Design Beyond Screens & Joysticks
207- Interface Game Design (3/5). Game Developer. https://www.gamedeveloper.com/
design/-alt-ctrl-game-design-beyond-screens-joysticks---interface-game- design-3-5-

Vilela dos Santos, T. (2018c, June 18). [ALT CTRL] Game Design Beyond Screens & Joysticks -
Conclusion (5/5). Game Developer. https://www.gamedeveloper.com/design/-alt-
ctrl-game-design-beyond-screens-joysticks---conclusion-5-5-

Vilela dos Santos, T. (Director). (2020a, March 18). [Alt.ctrl] What are alternative controller
games & playful installations? https://www.youtube.com/watch?v=IDVHkcUB9jI

Vilela dos Santos, T. (2020b, December). ALT CTRL AT HOME - itch.io. https://itch.io/
jam/alt-ctrl-at-home

Vilela dos Santos, T. (2022). ALT+CTRL @ HOME 2022 (weird use of ordinary controllers). itch.io. https://itch.io/jam/altctrlathome2022

Vilela dos Santos, T. (2023). Attack of the bric-a-brac, appropriation et créativité du joueur dans
les jeux vidéo de type Make&Play. Sciences du jeu, 20-21, 20-21. https://doi.org/ 10.4000/sdj.6391

Vilela dos Santos, T., & Drouet, O. (2023). Attack of the Bric-a-Brac. https://mechbird.fr/
attackofthebricabrac

Weiser, M. (1994). The world is not a desktop. Interactions, 1(1), 7–8. https://doi.org/10
.1145/174800.174801

Wenger, E. (1998). Communities of practice: Learning, meaning, and identity. Cambridge University Press.

West, J. (2022). Please Hold. https://jwest.itch.io/please-hold

West, J. (Director). (2023, January 27). Please Hold - Orientation (No Music, CC). https:
//www.youtube.com/watch?v=UvSl_oCOb4I

Westecott, E. (2013). Independent game development as craft. Loading… The Journal of the Canadian Game Studies Association, 7, 78–91. http://journals.sfu.ca/loading/inde x.php/loading/index

Westecott, E. (2020). Game sketching: Exploring approaches to research-creation for games. Virtual Creativity, 10(1), 11–26. https://doi.org/10.1386/vcr_00014_1

Westecott, E., Micak, K., & Uzun, F. (2023). Connections: An intergenerational feminist game art
timeline. DiGRA.

Wikipedia. (2024). Mutoscope. In Wikipedia. https://en.wikipedia.org/w/index.php?t
itle=Mutoscope&oldid=1221702553

Williams, A., Hughes, L., & Simon, B. (2010). Propinquity: Exploring Embodied Game- play.
Proceedings of the 12th ACM International Conference Adjunct Papers on Ubiquitous Computing - Adjunct, 387–388. https://doi.org/10.1145/1864431.1864449

Williams, R. (1973). Base and Superstructure in Marxist Cultural Theory. New Left Review, 3–16.

Williams, R. L. (2009). Marxism and literature (repr). Oxford Univ. Press.

Wilson, D. (2011). Brutally Unfair Tactics Totally OK Now: On Self-Effacing Games and
Unachievements. Game Studies, 11(1). http://gamestudies.org/1101/articles/Wils

Wong, R. Y., Khovanskaya, V., Fox, S. E., Merrill, N., & Sengers, P. (2020). Infrastructural
Speculations: Tactics for Designing and Interrogating Lifeworlds. Proceedings of the 2020 CHI
Conference on Human Factors in Computing Systems, 1–15. https://doi.org/10
.1145/3313831.3376515

Young, C. J. (2018). Game Changers: Everyday Gamemakers and the Development of the Video Game Industry [Thesis]. https://tspace.library.utoronto.ca/handle/1807/89734 Zheng, C., Gyory, P., & Do,

E. Y.-L. (2020). Tangible Interfaces with Printed Paper Markers. Proceedings of the 2020 ACM on Designing Interactive Systems Conference, 909–923. https:
//doi.org/10.1145/3357236.3395578

Zheng, Z. C. (2020). Everyday Materials for Physical Interactive Systems [PhD thesis, University of Colorado at Boulder]. https://www.proquest.com/docview/2408544336/abstract
/6848009C34AE4323PQ/1

Zucconi, A. (2015, October 28). A Bestiary of Alternative Game Controllers. Alan Zucconi.
https://www.alanzucconi.com/2015/10/28/from-hardware-to-software-a-bestiary-of-alternative-controllers/