References:

Ablinger, P. (2022). NOW: The collected writings 1982–2021 (B. Burke, Trans.). MUSIKTEXTE.
Ablinger, P. (n.d.). Weiss/Weisslich 19. Retrieved from https://ablinger.mur.at/ww19.html
Ader, B. J. (2002). Out of the Blue [Video]. Retrieved from https://www.artnet.com/artists/bas-jan-ader/out-of-the-blue-VJYZFv11qaY82MeGz5nqpA
Aihara, T. (2019). “Open Butoh”: Dairakudakan and Maro Akaji. In B. Baird & R. Candelario (Eds.), The Routledge companion to Butoh performance (pp. 203–213). Routledge.
Ambrose, D. (2006). Deleuze, philosophy, and the materiality of painting. Symposium: Canadian Journal of Continental Philosophy, 10(1), 191–211
Ash, J. (2015). Technology and affect: Towards a theory of inorganically organized objects. In Emotion, Space and Society, 14, 84–90.
Andersen, M. S. A. (2019). The methodical romance of Bas Jan Ader: The artist who set sail and never returned. In The Daily Beast. Retrieved from https://www.thedailybeast.com/the-methodical-romance-of-bas-jan-ader-the-artist-who-set-sail-and-never-returned
Bal, M. (2012). Travelling concepts in the humanities: A rough guide. Toronto: University of Toronto Press.
Becker, R. L. (2016). Interface I. Retrieved from https://rlfbckr.io/project/interface-i/
Bergson, H. (1910). Time and free will: An essay on the immediate data of consciousness (F. L. Pogson, Trans.). George Allen & Unwin. (Original work published 1889)
Bergson, H. (1911). Creative evolution (A. Mitchell, Trans.). Henry Holt and Company. (Original work published 1907)
Bergson, H. (1913). An introduction to metaphysics (T. E. Hulme, Trans.). G. P. Putnam’s Sons. (Original work published 1903)
Bergson, H. (1935). The two sources of morality and religion (R. Ashley Audra & C. Brereton, Trans.). Macmillan. (Original work published 1932)
Bergson, H. (1939). Matière et mémoire: Essai sur la relation du corps à l'esprit. Paris: Les Presses universitaires de France.
Bertetto, P. (2017). Concept, sensation, intensity: Deleuze's theory of art and cinema. In Sociology and Anthropology, 5(9), 792–797.
Bey, H. (1991). T.A.Z.: The temporary autonomous zone, ontological anarchy, poetic terrorism. Autonomedia.
Bhimji, Z. (2002). Out of the Blue [Video still]. Courtesy of The Times of India, Begum Abida Parveen from the album Baba Bulleh Shah.
Calle, S. (1981–1983). Hotel [Installation]. Courtesy of Centre Pompidou.
Chion, M. (1983). Guide des objets sonores. Paris: INA-GRM, Buchet-Chaste.
Coleman, B. (2023). Reality was whatever happened: Octavia Butler AI and other possible worlds. K. Verlag. https://beth-coleman.com/reality-was-whatever-happened
Collett, G. (2019). Deleuze, Guattari, and the Problem of Transdisciplinarity. London: Bloomsbury.
Cope, D. (1976). New directions in music. Dubuque, Iowa: W. C. Brown Co. 2d. ed.
Dawkins, L. (Photographer). (2023). Araeen's Zero to Infinity [Photograph]. Tate. Retrieved from: https://www.tate.org.uk/art/artworks/araeen-zero-to-infinity
Deleuze, G. (1987). Leibniz and the baroque, lecture 5, 6 January 1987. Purdue University Research Repository.
Deleuze, G. (1988). Spinoza: Practical philosophy (R. Hurley, Trans.). City Lights Books. (Original work published 1981)
Deleuze, G. (1990). The logic of sense (M. Lester & C. Stivale, Trans.). Columbia University Press. (Original work published 1969)
Deleuze, G. (1993). The fold: Leibniz and the baroque. The Athlone Press.
Deleuze, G. (1994a). Difference and repetition. Trans. P. Patton. Columbia University Press.
Deleuze, G. (2006). Nietzsche and philosophy (H. Tomlinson, Trans.). Continuum. (Original work published 1962)
Deleuze, G. (2008). Proust and signs: The complete text (R. Howard, Trans.). London: Continuum. (Original work published 1964)
Deleuze, G., & Guattari, F. (1977). Anti-Oedipus: Capitalism and schizophrenia (R. Hurley, M. Seem, & H. R. Lane, Trans.). University of Minnesota Press. (Original work published 1972)
Deleuze, G., & Guattari, F. (1987). A thousand plateaus: Capitalism and schizophrenia. (B. Massumi, Trans.). University of Minnesota Press. (Original work published 1980)
Deleuze, G., & Guattari, F. (1994b). What is philosophy? Columbia University Press.
Deleuze, G., & Negri, A. (1997). Control and becoming. In G. Deleuze, Negotiations: 1972–1990 (M. Joughin, Trans., pp. 169–176). Columbia University Press. (Original work published 1995)
Delanda, M. (2006). A new philosophy of society: Assemblage theory and social complexity. New York: Continuum.
Duchamp, M., & Hare, D. B. (1968). Étant donnés in Marcel Duchamp's 80 East 11th Street studio [Photograph]. Philadelphia Museum of Art. Retrieved from: https://www.duchamparchives.org/
Duchamp, M. (1973). The essential writings of Marcel Duchamp (M. Sanouillet & E. Peterson, Eds. & Trans.). Thames and Hudson.
Foucault, M. (1970). The order of things: An archaeology of the human sciences. Routledge.
Foucault, M. (1973). The birth of the clinic. Routledge.
Foucault, M. (1977). Discipline and punish. Tavistock.
Foucault, M. (1977). Language, counter-memory, practice: Selected essays and interviews. Ithaca, NY: Cornell University Press.
Foucault, M. (1980). Power/knowledge: Selected interviews and other writings 1972–1977. (C. Gordon, Ed.). Pantheon.
Foucault, M. (1988). Technologies of the self. (L. H. Martin, Ed.). Tavistock.
Foucault, M. (1997). Ethics: Subjectivity and truth (P. Rabinow, Ed., Vol. 1). The New Press.
Glaessner, E. (2022). Mechanical horse [Oil on canvas]. Ghebaly Gallery. Retrieved from: https://ghebaly.com/artists/133-elizabeth-glaessner/works/9799-elizabeth-glaessner-mechanical-horse-2022/
Goodman, A. (2018). Gathering ecologies: Thinking beyond interactivity. London: Open Humanities Press.
Graeber, D. (2001). Toward an anthropological theory of value: The false coin of our own dreams. Palgrave Macmillan.
Graeber, D. (2011). Debt: The first 5,000 years. Melville House.
Grill, M. (2022). Forêt d’expérimentation [Experimental film]. Lightcone. Retrieved from: https://lightcone.org/fr/film-8520-foret-d-experimentation
Guattari, F. (1984). Molecular revolution: Psychiatry and politics (R. Sheed, Trans.). Penguin Books. (Original work published 1977)
Guattari, F. (1992). Transversality and transdisciplinarity. Theory, Culture & Society, 9(4), 121–134.
Guattari, F. (1995). Chaosmosis: An ethico-aesthetic paradigm (P. Bains & J. Pefanis, Trans.). Indiana University Press. (Original work published 1992)
Guattari, F. (1996). The Guattari reader (G. Genosko, Ed.). Blackwell Publishers.
Guattari, F. (2000). The three ecologies (I. Pindar & P. Sutton, Trans.). Athlone Press. (Original work published 1989)
Guattari, F. (2009). Soft subversions: Texts and interviews 1977–1985 (S. Lotringer, Ed.; D. L. Sweet & C. Wiener, Trans.). Semiotext(e).
Guerlac, S. (2006). Thinking in time: An introduction to Henri Bergson. Cornell University Press.
Hartman, S. V. (1997). Scenes of subjection: Terror, slavery, and self-making in nineteenth-century America. Oxford University Press.
Henry, S. (2005). Disciplinary hegemony. Integrative Studies, 23, 1–37.
James, H. (1881). The portrait of a lady. Macmillan and Co.
James, H. (1903). The ambassadors. Methuen & Co.
James, H. (1908). The art of the novel: Critical prefaces. Charles Scribner’s Sons.
James, W. (1890). The principles of psychology (Vol. 1). Henry Holt and Company.
James, W. (1907). Pragmatism: A new name for some old ways of thinking (Lecture 6). Longmans, Green, & Co.
James, W. (1912). Essays in radical empiricism. Longmans, Green, and Co.
Joanne, R. (1985). The aesthetic dimension of process philosophy in Alfred North Whitehead and Pierre Teilhard de Chardin and its significance for education. Unpublished doctoral dissertation, University Microfilms International.
Karkov, N. (2016). Why pluralism = pluralism ≠ monism: A decolonial feminist critique of Deleuze and Guattari's concept of becoming (Doctoral dissertation). Michigan State University.
Lang, P. (n.d.). Moving objects series. Retrieved from https://www.pelang.ch
Lapoujade, D. (2008). Fictions du pragmatisme. William et Henry James. Éditions de Minuit.
Lapoujade, D. (2017). Les existences moindres. Les Éditions de Minuit.
Lapoujade, D. (2020). William James: Empiricism and pragmatism (T. Lamarre, Trans.). Duke University Press.
Lu, C., Kay, J., & R. McKee, K. (2022). Subverting machines, fluctuating identities: Re-learning human categorization. arXiv. https://arxiv.org/abs/2205.13740
Luca, G. (1986). Passionnément. In Le chant de la carpe (pp. 45–47). Paris: José Corti. (Original work published 1973)
Lucier, A. (2012). Music 109: notes on experimental music. Wesleyan University Press.
Luzecky, R. (2022). Deleuze’s elaboration of eternity: Ontogenesis and multiplicity. In Deleuze and Guattari Studies, 16(1), 51–72.
L. Powell, J. (2015). Foucault, power, and culture. In International Journal of Humanities and Cultural Studies, 1(4), March 2015.
Malaspina, C. (2016). An epistemology of noise. Bloomsbury Academic.
Maro, A. (1997). “On Butoh of Dairakudakan and Tenputenshiki” [大駱駝艦・天賦典式の舞踏について]. Dairakudakan [Unpublished manuscript].
Manning, E. (2009a). Politics of touch: Sense, movement, sovereignty. Brantford, Ontario: W. Ross MacDonald School Resource Services Library.
Manning, E. (2009b). Relationscapes: Movement, art, philosophy. MIT Press.
Manning, E. (2015). Ten propositions for research-creation. In N. Colin & S. Sachsenmaier (Eds.), Collaboration in performance practice – premises, workings, failures (pp. 123–135). Palgrave Macmillan.
Manning, E. (2016). The minor gesture. Duke University Press.
Manning, E. (2020). For a pragmatics of the useless. Duke University Press.
Manning, E. & Goodman, A. (2012). Entertaining the environment: A conversation. Fibreculture Journal, 21. https://journal.fibreculture.net
Manning, E., & Massumi, B. (2014). Thought in the act: Passages in the ecology of experience. University of Minnesota Press.
Massumi, B. (1995). Interface and active space: Human machine design. 6th International Symposium on Electronic Art, Montreal, 7.
Massumi, B. (2002). A shock to thought: Expression after Deleuze and Guattari. Routledge.
Massumi, B. (2011). Semblance and event: Activist philosophy and the occurrent arts. MIT Press.
Massumi, B. (2014). What animals teach us about politics. Duke University Press.
Massumi, B. (2015). Politics of affect. Polity Press.
Massumi, B. (2018). The Power at the End of the Economy. Duke University Press.
Massumi, B. (2021). Parables for the virtual: Movement, affect, sensation. Duke University Press.
Mauss, M. (2002). The gift: The form and reason for exchange in archaic societies (W. D. Halls, Trans.). Routledge. (Original work published 1925)
Mehretu, J. (2013). Cairo [Ink and acrylic on canvas]. Retrieved from: https://www.thebroad.org/art/julie-mehretu/cairo
Melamed, J. (2015). Racial Capitalism. In Critical Ethnic Studies, 1(1), 76–85.
Metzger, G. (1961). Auto-Destructive Art Performance, South Bank, London, 3 July 1961 [Photograph].
Mignolo, W. D. (2000). The geopolitics of knowledge and the colonial difference. In South Atlantic Quarterly, 101(1), 57–97.
Miller, J. H. (1972). Henry James and the Suspense of Interpretation. University of Chicago Press.
Miller, J. (2012). Music 109: notes on experimental music. Wesleyan University Press.
Moten, F. (2003). In the Break: The Aesthetics of the Black Radical Tradition. University of Minnesota Press.
Moten, F. (2008). The case of blackness. In Criticism, 50(2), 177–218.
Moten, F. & Harney, S., (2013). The undercommons: Fugitive planning & black study. Minor Compositions.
Moten, F. (2018). Stolen life. Duke University Press.
Nietzsche, F. (1979/1873). On truth and lies in a nonmoral sense. In D. Breazeale (Ed.), Philosophy and truth: Selections from Nietzsche’s notebooks of the early 1870s (pp. 79–97). Humanities Press.
Nietzsche, F. (2007). On the genealogy of morals (W. Kaufmann, Trans.). Vintage. (Original work published 1887)
Michizō, N. (1972). Gensho Seimeitai to Shite No Ningen [原初生命体としての人間]. Tokyo: Mikasa Shobō.
Oiticica, H. (n.d.). Parangolé P4 Cape 1. MAM Rio Collection.
Oiticica, H. (1964). Parangolé P1, Capa 1. Itaú Cultural. Retrieved from: https://enciclopedia.itaucultural.org.br/obras/123098-parangole-p1-capa-1
Olin, T. (n.d.). Capitol Crawl. Tom Olin Collection, University of Toledo Libraries. Retrieved from: https://tomolincollection.com/?p=166
Oliveros, P. (1984). Software for people: Collected writings 1963–80. Baltimore: Printed Editions.
Oliveros, P. (2005). Deep listening: A composer’s sound practice. New York: iUniverse, Inc.
O’Sullivan, S. (2012). On the production of subjectivity: Five diagrams of the finite–infinite relation. Palgrave Macmillan.
Parisi, L. (2021). Negative optics in vision machines. In AI & Society, 36(2), 461–474.
Perec, G. (1973, December 3). Approches de quoi?, In Le Monde.
Pindar, I., & Sutton, P. (Eds.). (2010). The machinic unconscious: Essays in schizoanalysis. Semiotext(e)/Foreign Agents.
Pop.L. W. (1991). Museum Brandhorst. (n.d.). How Much is That Nigger in the Window a.k.a. Tompkins Square Crawl, 1991 [Photograph]. Retrieved from: https://www.museum-brandhorst.de
Powell, J. L. (2015). Foucault, power, and culture. In International Journal of Humanities and Cultural Studies, 1(4), March 2015.
Rabinow, P. (Ed.). (1997). Ethics: Subjectivity and truth (Vol. 1). New Press.
Satchidanandan, K. (2012). Stammer [Poem]. Poetry International. Retrieved from: https://www.poetryinternational.com/en/poets-poems/poems/poem/103-2861_STAMMER
Sedgwick, E. K. (1990). Epistemology of the Closet. University of California Press.
Schaeffer, P. (1977). Traité des objets musicaux: Essai interdisciplinaire. (Original work published 1966). Paris: Éditions du Seuil.
Shannon, D. B. (2021). What do ‘propositions’ do for research-creation? Truth and modality in Whitehead and Wittgenstein. MATTER: Journal of New Materialist Research, 4(4).
Shannon, J. M. (2019). Butoh Beyond The Body: An interview with Shakina Nayfack on transition, evolution and the spirit at war. In B. Baird & R. Candelario (Eds.), The Routledge companion to Butoh performance (pp. 389–398). Routledge.
Sherburne, D. W. (1961). A Whiteheadian aesthetic: Some implications of Whitehead’s metaphysical speculation. Yale University Press.
Simondon, G. (2009). Individuation in light of notions of form and information (T. Adkins, Trans.). Parrhesia.
Smith, D. W. (2003). Deleuze and Derrida, immanence and transcendence: Two directions. In P. Patton & J. Protevi (Eds.), Between Deleuze and Derrida (pp. 46–66). Edinburgh University Press.
Smith, D. W. (2015). Deleuze, Kant, and the transcendental field. In At the edges of thought: Deleuze and post-Kantian philosophy (pp. 25–43). Edinburgh University Press.
Souriau, É. (2015). The different modes of existence (K. McLaughlin, Trans.). Univocal / University of Minnesota Press. (Original work published 1943)
Springgay, S., & Truman, S. E. (2015). The primacy of movement in research-creation: New materialist approaches to art research and pedagogy. In M. Laverty & T. Lewis (Eds.), Art’s teachings, teaching’s art: Philosophical, critical, and educational musings (pp. 151–162). Springer.
Springgay, S., Loveless, N., Manning, E., Myers, N., & Springgay, S. (2019). The intimacies of doing research-creation: Sarah E. Truman interviews Natalie Loveless, Erin Manning, Natasha Myers, and Stephanie Springgay. In N. Loveless (Ed.), Knowings and knots (pp. 221–250). University of Alberta Press.
Stengers, I. (2010). Cosmopolitics I (R. Bononno, Trans.). University of Minnesota Press.
Stengers, I. (2011). Thinking with Whitehead: A free and wild creation of concepts. Harvard University.
Stern, N. (n.d.). Weather patterns: The smell of red. Retrieved from: https://nathanielstern.com/artwork/weather-patterns-the-smell-of-red/
SU-EN. (2019). Light as dust, hard as steel, fluid as snake saliva: The Butoh body of Ashikawa Yoko. In B. Baird & R. Candelario (Eds.), The Routledge companion to Butoh performance (pp. 203–213). Routledge.
Sutherland, R. (1994). New perspectives in music. London: Sun Tavern Fields.
Tagg, P. (1982). Music and the politics of signification. Recent Musicology, 4(2), 1–25.
Truman, S. E., & Springgay, S. (2015). The primacy of movement in research-creation: New materialist approaches to art research and pedagogy. In M. Laverty & T. Lewis (Eds.), Art’s teachings, teaching’s art (pp. 151–162). Springer.
Ujoo, S., & Limheeyoung. (2017, November 8). Machine with hair caught in it (with roller chain). UJOO+LIMHEEYOUNG. Retrieved from: https://u-joolimheeyoung.blogspot.com
Umoja Noble, S. (2018). Algorithms of oppression: How search engines reinforce racism. New York: New York University Press.
Vessey, J. A. (2019). My Dairakudakan Experience. In B. B. Baird & R. Middleton (Eds.), The Routledge companion to Butoh performance (pp. 451–455). Routledge.
Watanabe, M. (2019). Liminal [Video installation]. MOMENTA Biennale d’art contemporain. https://momentabiennale.com/en/exhibit/liminal/
Whitehead, A. N. (1929). The function of reason. Beacon Press.
Whitehead, A. N. (1920/2004). The concept of nature. Amherst, NY: Prometheus Books.
Whitehead, A. N. (1933). Adventures of ideas. Macmillan.
Whitehead, A. N. (1968). Modes of thought. New York: The Free Press. (Original work published 1938)
Whitehead, A. N. (1978). Process and reality: An essay in cosmology (Corrected ed., D. R. Griffin & D. W. Sherburne, Eds.). The Free Press.
Williams, J. (2005). The transversal thought of Gilles Deleuze: Encounters and influences. Manchester: Clinamen Press.
Wynter, S. (2003). Unsettling the coloniality of being/power/truth/freedom. In CR: The New Centennial Review, 3(3), 257–337.
Yoon, J.-M. (2006). The dreaming collective knows no history (US embassy to Japanese embassy, Seoul) [Video still]. Retrieved from: http://jin-meyoon.com/#asitisbeppu
Yoon, J.-M. (2010/2022). Levels 2 (Time new again) [Chromogenic print]. Retrieved from: http://jin-meyoon.com/#asitisbeppu