Items where Division is "Art History" and Year is 2025

B

Burrows, Isabelle (2025) Remembering, (Re)-forgetting, and Revisionism: Corporate Marketing and the Rhetoric of Progressivism in Tate Modern’s 2017 Fahrelnissa Zeid Retrospective. Masters thesis, Concordia University.

C

Chambon, Margot (2025) Contesting the Legacy of South African Visual Culture: Black Queer Bodies in Zanele Muholi’s Self-Archive, Somnyama Ngonyama. Masters thesis, Concordia University.

Contant, Emilie (2025) Nature Reimagined: Christi Belcourt’s Ecological Aesthetic and Its Impact on Canadian Perspectives. Masters thesis, Concordia University.

D

Day, Grace Ellen (2025) Early Modern Portraits of Elderly Women and the Enigmatic Legacy of Sofonisba Anguissola. Masters thesis, Concordia University.

de Alcântara Barros Bueno, Rodrigo (2025) Dissident Present: Tupi featherwork, radical imagination, and other spectralities. PhD thesis, Concordia University.

E

Ehler, Lee (2025) Obscenely Political: The Weimar Prosecution of George Grosz and Ecce Homo. Masters thesis, Concordia University.

F

Fortin, Julia (2025) Water Protection Imagery and the Future Imaginary in the #NoDAPL Movement. Masters thesis, Concordia University.

G

Granter, Gina (2025) More than Making Milk: Challenging Autonomous Subjectivity and Linear Time in Textile Art about Breastfeeding from the COVID-19 Pandemic. Masters thesis, Concordia University.

Grégoire, Pauline (2025) Women, Modernity, and the Ballets Russes in London, 1911-1914. Masters thesis, Concordia University.

Guillaume, Philippe (2025) From Photography and Walking to Walking and Photography. PhD thesis, Concordia University.

H

Hornstein, Stéphanie (2025) Picturing “Topsy-Turvy Land”: Photographic Representations of Egypt and Japan. PhD thesis, Concordia University.

J

Jacques, Christopher ORCID: https://orcid.org/0009-0004-9405-5631 (2025) Horror, Trauma, and Self-Care: The Abject Art of Alina Szapocznikow. Masters thesis, Concordia University.

Janssen, Alexis (2025) Beyond European Extractive Modernism: Appropriations of West- and Central-African Cultural Belongings in Paul-Émile Borduas' 1942 Gouaches. Masters thesis, Concordia University.

K

Kerr, Kitty (2025) Pretty in Plastic: Drawing Sustenance from the Capitalist Wasteland in Portia Munson’s Pink Projects. Masters thesis, Concordia University.

L

Lamare, Julia (2025) The Materiality of Sand and Nylon: Challenging Museological Convention and Conservation in Senga Nengudi’s R.S.V.P. Series. Masters thesis, Concordia University.

N

Nisar, Varda (2025) The Museum is Weaponized: Countering Ethnic, Gendered and Religious Representations by the Visual Complex of Pakistan’s Military Regimes. PhD thesis, Concordia University.

P

Phillips-Amos, Georgia (2025) The Art of Discord: Absurdist Strategies in Contemporary Art. PhD thesis, Concordia University.

S

Schwartz, Catriona M. (2025) Au Bon Marché: A Paradise for the Flâneuse. Masters thesis, Concordia University.

Siad, Safia (2025) Sonic Restitutions: Afrosonic Aesthetics in Satch Hoyt’s Artistic Practice. Masters thesis, Concordia University.

Stickney, Samantha (2025) Deconstructing Artistic Narratives of Asexuality: A Critical Exploration of Community Dynamics and Identity Formation in Contemporary Manga. Masters thesis, Concordia University.

W

Weigensberg, Miranda (2025) One Species amongst Many: Creatively Thinking through Anthropocentrism. Masters thesis, Concordia University.