Items where Division is "Art History" and Year is 2017

A

Andrus, Bruno Victor (2017) Trajectoires fluides et croisements lumineux : histoire du verre d’art au Québec dans le contexte d’Expo 67. PhD thesis, Concordia University.

B

Beaudoin, Caroline (2017) Everyday Landscapes: Picturing Places of Labour, Leisure, and Industry in Quebec's Eastern Townships, 1900-2015. PhD thesis, Concordia University.

Behzadi, Mojeanne Sarah (2017) Iridescent Spirituality: Early Experiments in Expanded Cinema. Masters thesis, Concordia University.

Bergsma, Emily (2017) “Canadian Reject”: Melvin Charney’s Design for the Canadian Pavilion at Expo 70. Masters thesis, Concordia University.

D

Doiron, Gabrielle (2017) Play on Display: Tracing Encounters with Cornelia Hahn Oberlander’s Expo 67 Playground. Masters thesis, Concordia University.

G

Gagas, Andromachi (2017) The Anxious Subject: Janet Werner and the Disfigured Female Portrait. Masters thesis, Concordia University.

Gerber, Corinne (2017) What You Claim, You Are: Black Vernacular, Regimes of Visibility, and the Reproduction of We in "The Queen’s English" by Martine Syms. Masters thesis, Concordia University.

H

Harris, Rachel ORCID: https://orcid.org/0000-0002-7356-0127 (2017) Picturing Fairyland: Illustrated Fairy Tale Books and the Rise of the Child Reader-Viewer in the Victorian Era. PhD thesis, Concordia University.

Haskell, Clara (2017) Changing Power Relations in Photography: The Potential of Photographic Returns Projects with Inuit Youth. Masters thesis, Concordia University.

L

Le, Tiffany-Quan (2017) MoMA and Nazi-Era Art Restitution: Contexts and Thoughts for the Future. Masters thesis, Concordia University.

Luderowski, Muriel (2017) Sound, Deindustrialization, and Gentrification: The Changing Aural Landscape of Pointe-Saint-Charles. Masters thesis, Concordia University.

M

Marchand, Anik Hélène (2017) Acadian Art and Identity: Évangéline, Claude Roussel, and Paul Édouard Bourque. Masters thesis, Concordia University.

Merritt, Samantha (2017) Sincere Irony and Crafting Critique: Institutional Memory in Ursula Johnson’s Mi’kwite’tmn (Do You Remember). Masters thesis, Concordia University.

N

Nesbitt, Sarah (2017) En/countering the Colonial: Aiako’nikonhraién:ta’ne and You Are On A Mohawk Land. Two Case Studies on Art, Refusal and Recognition in Montréal. Masters thesis, Concordia University.

O

Ohri, Aditi (2017) Recognition on Settler Terms: The Canadian Handicrafts Guild and First Nations Craft from 1900 to 1967. Masters thesis, Concordia University.

P

Pesant-Johnson, Maude (2017) From Fashion Show to Exhibition: Alexander McQueen: Savage Beauty. Masters thesis, Concordia University.

S

Surette, Akycha (2017) The Influence of the Toronto-based One of a Kind Craft Show on the Professionalization of Canadian Craft 1974-1999. Masters thesis, Concordia University.

T

Trottier, Raphaël (2017) Mettre en scène le Canada-français : Les costumes traditionnels dans les ensembles de danse folklorique au Québec. Masters thesis, Concordia University.

U

Usher, Camille (2017) more than just flesh: the arts as resistance and sexual empowerment. Masters thesis, Concordia University.

W

Wisnoski, Barbara (2017) An Aesthetics of Everything Else: Flat Ontologies and the Everyday. Masters thesis, Concordia University.