Items where Division is "Art History" and Year is 2018

Amarica, Sarah (2018) Working Bodies, Poignant Cloth: Materialising Histories of Labour in Ann Hamilton’s indigo blue (1991, 2007) and Ibrahim Mahama’s Occupations (2012–). Masters thesis, Concordia University.

Burdick, Brittany (2018) Modern Congolese Iconography of Patrice Lumumba in A Congo Chronicle. Masters thesis, Concordia University.

Caruso, Katrina (2018) Listening to Her Pictures: The Vision and Visibility of Jean Sutherland Boggs at the National Gallery of Canada. Masters thesis, Concordia University.

Devaux, Camille (2018) Knit Two Together and Repeat: Breaking with Tradition through Yarnbombing by the Cercles de Fermières du Québec. Masters thesis, Concordia University.

Engelhardt, Shany (2018) The Spornosexual: Representation, Sports, and Masculinity. Masters thesis, Concordia University.

England, Sara Nicole (2018) Ideal Citizens, Better Workers: National Cash Register Company’s Garden Programmes and Factory Tourism (1897–1913). Masters thesis, Concordia University.

Krasnikova, Alena (2018) Yulia Biriukova and The Lumberman in the National Vision of Canada in the 1930s. Masters thesis, Concordia University.

Lalonde, Chanelle (2018) Oceanic Literacy in Contemporary Art: Communal Effort, Scientific Knowledge and Poetic Intervention. Masters thesis, Concordia University.

Lyons, Stephen (2018) Rezoning the Alternative: Art and Politics in New York at the Dawn of the Reagan Era. PhD thesis, Concordia University.

Misiuk, Marlene (2018) La Donna e La Maniera Devota:Lavinia Fontana, Sacred Imagery and the Natural Sciences in Sixteenth-Century Bologna. Masters thesis, Concordia University.

Nixon, Lindsay (2018) Prairie Families: Cree-Métis-Saulteux Materialities as Indigenous Feminist Materialist Record of Kinship-Based Selfhood. Masters thesis, Concordia University.

Portanier, Ronald (2018) French Naval Sculpture under the Ancien Régime (1650-1789). PhD thesis, Concordia University.

Stokvis-Hauer, Alyssa (2018) Paved with Good Intentions: The Development of German and American Holocaust-era Looted Art Restitution Institutions. Masters thesis, Concordia University.

Sáenz, Daniel Santiago ORCID: https://orcid.org/0000-0003-4362-2304 (2018) “A Christian image causes in us desire for virtue and horror of vice”: Persuasion, Masculinities, and Visual Culture in the Context of Spanish Colonial Expansion. Masters thesis, Concordia University.

Sáenz, Daniel Santiago ORCID: https://orcid.org/0000-0003-4362-2304 (2018) Towards a Destructive, Unmonumental, Queer Hagiography: Félix González Torres and the Spiritual- Activist Potential of Destruction. Conexión Queer: Revista Latinoamericana y Caribeña de Teologías Queer, 1 (1). pp. 119-144. ISSN 2545-8728

Tousignant, Sarah Ève (2018) Jeremy Shaw’s Quickeners and Liminals: Imagining Possible Futures. Masters thesis, Concordia University.

Zhang, Tianmo (2018) Expanding Chinese Ink Painting in the 2014 Exhibition - Unscrolled: Reframing Tradition in Chinese Contemporary Art. Masters thesis, Concordia University.