Items where Division is "Art History" and Year is 2018

A

Amarica, Sarah (2018) Working Bodies, Poignant Cloth: Materialising Histories of Labour in Ann Hamilton’s indigo blue (1991, 2007) and Ibrahim Mahama’s Occupations (2012–). Masters thesis, Concordia University.

B

Burdick, Brittany (2018) Modern Congolese Iconography of Patrice Lumumba in A Congo Chronicle. Masters thesis, Concordia University.

C

Caruso, Katrina (2018) Listening to Her Pictures: The Vision and Visibility of Jean Sutherland Boggs at the National Gallery of Canada. Masters thesis, Concordia University.

D

Devaux, Camille (2018) Knit Two Together and Repeat: Breaking with Tradition through Yarnbombing by the Cercles de Fermières du Québec. Masters thesis, Concordia University.

E

Engelhardt, Shany (2018) The Spornosexual: Representation, Sports, and Masculinity. Masters thesis, Concordia University.

England, Sara Nicole (2018) Ideal Citizens, Better Workers: National Cash Register Company’s Garden Programmes and Factory Tourism (1897–1913). Masters thesis, Concordia University.

K

Krasnikova, Alena (2018) Yulia Biriukova and The Lumberman in the National Vision of Canada in the 1930s. Masters thesis, Concordia University.

L

Lalonde, Chanelle (2018) Oceanic Literacy in Contemporary Art: Communal Effort, Scientific Knowledge and Poetic Intervention. Masters thesis, Concordia University.

Lyons, Stephen (2018) Rezoning the Alternative: Art and Politics in New York at the Dawn of the Reagan Era. PhD thesis, Concordia University.

M

Misiuk, Marlene (2018) La Donna e La Maniera Devota:Lavinia Fontana, Sacred Imagery and the Natural Sciences in Sixteenth-Century Bologna. Masters thesis, Concordia University.

N

Nixon, Lindsay (2018) Prairie Families: Cree-Métis-Saulteux Materialities as Indigenous Feminist Materialist Record of Kinship-Based Selfhood. Masters thesis, Concordia University.

P

Portanier, Ronald (2018) French Naval Sculpture under the Ancien Régime (1650-1789). PhD thesis, Concordia University.

S

Stokvis-Hauer, Alyssa (2018) Paved with Good Intentions: The Development of German and American Holocaust-era Looted Art Restitution Institutions. Masters thesis, Concordia University.

Sáenz, Daniel Santiago ORCID: https://orcid.org/0000-0003-4362-2304 (2018) “A Christian image causes in us desire for virtue and horror of vice”: Persuasion, Masculinities, and Visual Culture in the Context of Spanish Colonial Expansion. Masters thesis, Concordia University.

Sáenz, Daniel Santiago ORCID: https://orcid.org/0000-0003-4362-2304 (2018) Towards a Destructive, Unmonumental, Queer Hagiography: Félix González Torres and the Spiritual- Activist Potential of Destruction. Conexión Queer: Revista Latinoamericana y Caribeña de Teologías Queer, 1 (1). pp. 119-144. ISSN 2545-8728

T

Tousignant, Sarah Ève (2018) Jeremy Shaw’s Quickeners and Liminals: Imagining Possible Futures. Masters thesis, Concordia University.

Z

Zhang, Tianmo (2018) Expanding Chinese Ink Painting in the 2014 Exhibition - Unscrolled: Reframing Tradition in Chinese Contemporary Art. Masters thesis, Concordia University.