Items where Division is "Art History" and Year is 2024

Beck, Maegan E. (2024) Transcending Beyond the ‘Detectable’: Queer Mourning, Memory, and Futurity in Eric Rhein’s Lifelines. Masters thesis, Concordia University.

Bell, Emma (2024) Illuminating the Visio Dei: Vision and Devotion in the Psalter of Bonne of Luxembourg. Masters thesis, Concordia University.

Byers, Alberta (2024) A Map of One’s Own: Cartographic Subversion in the Work of Shuvinai Ashoona, Firelei Báez, and Sandy Rodriguez. Masters thesis, Concordia University.

Campbell, Temple (2024) To Taste a Portal: Contending with Cuban Colonial-era Histories through María Magdalena Campos-Pons’ Alchemy of the Soul, Elixir for the Spirits. Masters thesis, Concordia University.

Cornellier, Roxanne (2024) Performing Blackness/Archiving Whiteness: The Y Minstrels, 1927-1951. Masters thesis, Concordia University.

DeFrias, Caroline (2024) Locating the Queer Gesture: Point and Line to Flesh. Masters thesis, Concordia University.

Duncan, Daisy (2024) Refashioning and Reframing: Gender, Agency, and the Body in Jana Sterbak’s Remote Control II. Masters thesis, Concordia University.

Koch, Charlotte (2024) Hysteric: Women’s Histories and the Psychoanalytic Aesthetic from Charcot to Rego. Masters thesis, Concordia University.

Lapp, Margaret (2024) Performing the Archives or Performance Art in a Process, Continued: It's on Your Head, It's in Your Head in the Realm of Banff's Acoustic Ecologies. Masters thesis, Concordia University.

Lerner, Loren and Antaki, Karine (2024) Creating the Modern: Intersections of Art and Society in the Nineteenth Century. Concordia University Library. ISBN 978-1-998571-01-7

Mackay, Emmett (2024) A Mutable “Type:” August Sander and the Politics of the Peasant Portrait in Antlitz der Zeit (Face of Our Time) (1929). Masters thesis, Concordia University.

Nalian, Laia Karmela (2024) Archipelagos of Narratives: (Re)constructing National and Diasporic Identities in Filipino Art, From Martial Law to the Present. Masters thesis, Concordia University.

Pierre-Paul Cardinal, Mélinda (2024) Embracing Im/possibility: A Black Feminist Exploration of Tau Lewis’ T.A.U.B.I.S. (2020). Masters thesis, Concordia University.

Roman Justo, Karla Karina (2024) Andean Epistemology in the Art Gallery: The Presence of the Kipu in Contemporary South American Art. Masters thesis, Concordia University.

Stewart, Caroline (2024) Painting Punks and Pansies: Art as Affective Archive of Punk and Queer Subcultures in Postwar Kreuzberg. Masters thesis, Concordia University.

Trapara, Sara (2024) Vibrant Rock, Earth, and iPhone: Disrupting Extractivism in the Work of Marcela Armas and François Quévillon. Masters thesis, Concordia University.

Vidmar, Olivia (2024) Possibilities of Public Art as an Agent of Renewal and Resistance in Pointe-Saint-Charles. Masters thesis, Concordia University.