Items where Division is "Art History" and Year is 2024

B

Beck, Maegan E. (2024) Transcending Beyond the ‘Detectable’: Queer Mourning, Memory, and Futurity in Eric Rhein’s Lifelines. Masters thesis, Concordia University.

Bell, Emma (2024) Illuminating the Visio Dei: Vision and Devotion in the Psalter of Bonne of Luxembourg. Masters thesis, Concordia University.

Byers, Alberta (2024) A Map of One’s Own: Cartographic Subversion in the Work of Shuvinai Ashoona, Firelei Báez, and Sandy Rodriguez. Masters thesis, Concordia University.

C

Campbell, Temple (2024) To Taste a Portal: Contending with Cuban Colonial-era Histories through María Magdalena Campos-Pons’ Alchemy of the Soul, Elixir for the Spirits. Masters thesis, Concordia University.

Cornellier, Roxanne (2024) Performing Blackness/Archiving Whiteness: The Y Minstrels, 1927-1951. Masters thesis, Concordia University.

D

DeFrias, Caroline (2024) Locating the Queer Gesture: Point and Line to Flesh. Masters thesis, Concordia University.

Duncan, Daisy (2024) Refashioning and Reframing: Gender, Agency, and the Body in Jana Sterbak’s Remote Control II. Masters thesis, Concordia University.

K

Koch, Charlotte (2024) Hysteric: Women’s Histories and the Psychoanalytic Aesthetic from Charcot to Rego. Masters thesis, Concordia University.

L

Lapp, Margaret (2024) Performing the Archives or Performance Art in a Process, Continued: It's on Your Head, It's in Your Head in the Realm of Banff's Acoustic Ecologies. Masters thesis, Concordia University.

Lerner, Loren and Antaki, Karine (2024) Creating the Modern: Intersections of Art and Society in the Nineteenth Century. Concordia University Library. ISBN 978-1-998571-01-7

M

Mackay, Emmett (2024) A Mutable “Type:” August Sander and the Politics of the Peasant Portrait in Antlitz der Zeit (Face of Our Time) (1929). Masters thesis, Concordia University.

N

Nalian, Laia Karmela (2024) Archipelagos of Narratives: (Re)constructing National and Diasporic Identities in Filipino Art, From Martial Law to the Present. Masters thesis, Concordia University.

P

Pierre-Paul Cardinal, Mélinda (2024) Embracing Im/possibility: A Black Feminist Exploration of Tau Lewis’ T.A.U.B.I.S. (2020). Masters thesis, Concordia University.

R

Roman Justo, Karla Karina (2024) Andean Epistemology in the Art Gallery: The Presence of the Kipu in Contemporary South American Art. Masters thesis, Concordia University.

S

Stewart, Caroline (2024) Painting Punks and Pansies: Art as Affective Archive of Punk and Queer Subcultures in Postwar Kreuzberg. Masters thesis, Concordia University.

T

Trapara, Sara (2024) Vibrant Rock, Earth, and iPhone: Disrupting Extractivism in the Work of Marcela Armas and François Quévillon. Masters thesis, Concordia University.

V

Vidmar, Olivia (2024) Possibilities of Public Art as an Agent of Renewal and Resistance in Pointe-Saint-Charles. Masters thesis, Concordia University.