Baric, Stephanie (2001) Yugoslav war cinema : shooting a nation which no longer exists. Masters thesis, Concordia University.
From its inception following World War II, Yugoslav war cinema played a major role in representing and challenging the discourse of the nation. Films depicting the Partisan war experience during the "national war of liberation", the foundational narrative of socialist Yugoslavia, played a significant role in constructing and deconstructing Yugoslavia's revolutionary past. After the death of Tito in 1980, critical focus in cinema shifted away from the events of WW II to post-war Yugoslavia and the brutal anti-Stalinist purges following Yugoslavia's break with the Cominform. With the disintegration of Yugoslavia, "Yugoslav" cinema faced an uncertain future. Post-socialism marked the re-emergence of the war film genre that critically examined the conflicts that tore a nation apart. As communities throughout the former Yugoslavia attempt to come to terms with the disintegration of Yugoslavia and the wars that followed, cinema may be an effective tool for deconstructing the myths of ethnic nationalism. Discourse analysis will reveal the intervention of film in the political and cultural spheres of the nation and its significant role in reshaping the foundational narrative.
|Divisions:||Concordia University > Faculty of Arts and Science > Communication Studies|
|Item Type:||Thesis (Masters)|
|Pagination:||iv, 114 leaves : maps ; 29 cm.|
|Degree Name:||Theses (M.A.)|
|Thesis Supervisor(s):||Roth, Lorna|
|Deposited By:||Concordia University Libraries|
|Deposited On:||27 Aug 2009 17:19|
|Last Modified:||08 Dec 2010 15:21|
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